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Acknowledgments | ||
Introduction. Sound States | 1 | |
Pt. I | Soundings: Radio and Tape Transmissions | |
Radio free Joyce: Wake Language and the Experience of Radio | 17 | |
Sound Technologies and the Modernist Epic: H.D. on the Air | 32 | |
The Radio Intellectual: Specific, General, or Just Wired? | 56 | |
Voices out of Bodies, Bodies out of Voices: Audiotape and the Production of Subjectivity | 74 | |
Technologies of Presence: Orality and the Tapevoice of Contemporary Poetics | 97 | |
Pt. II | Groundings: Performance/Ritual/Event | |
The Music of Verbal Space: John Cage's "What You Say ..." | 129 | |
From Phonic to Sonic: The Emergence of the Audio-Poem | 149 | |
Rude Bwoys, Riddim, Rub-a-Dub, and Rastas: Systems of Political Dissonance in Caribbean Performative Sounds | 169 | |
Cante Moro | 194 | |
Sound in Florescence: Cecil Taylor Floating Garden | 213 | |
Pt. III | Surroundings: Hearing Theories | |
Modernism's Sonic Waiver: Literary Writing and the Filmic Difference | 237 | |
Poetry's Voice-Over | 274 | |
Bibliography | 317 | |
Sources and Permissions for CD Tracks | 339 | |
Notes on the Contributors | 341 | |
Index | 343 |
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Add Sound States: Innovative Poetics and Acoustical Technologies, By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk abo, Sound States: Innovative Poetics and Acoustical Technologies to the inventory that you are selling on WonderClubX
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Add Sound States: Innovative Poetics and Acoustical Technologies, By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk abo, Sound States: Innovative Poetics and Acoustical Technologies to your collection on WonderClub |