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| Overture : a consideration of the fragment | 19 | |
| The surface, renewal and identity | 28 | |
| 1 | Weathering, restoration, and formal criticism : a Senufo figure (Poropya) | 30 |
| 2 | Youthful faces : an Ogoni mask (Elu) | 32 |
| 3 | Renewable art of containment : a Djerma vessel | 34 |
| 4 | Surface as key to identity and place : an Egyptian relief | 36 |
| 5 | Mask of wisdom : a We mask (Gbona Gla) | 42 |
| 6 | Implements of temple ritual : an Egyptian amulet | 46 |
| 7 | The body as billboard : Ndebele beadwork | 48 |
| 8 | The ambiguity of gender : a Loma mask (Angbai) and cow-tail switch | 56 |
| 9 | Embodying the ancestors : a Kota reliquary figure (Mbulu-Ngulu) | 60 |
| 10 | Countering the evil eye : an Egyptian child's tunic | 62 |
| 11 | The bird is faraway meat : a Hausa hunter's headdress | 64 |
| 12 | Masking, dancing, fighting : celebrating male aggression : an Igede/Ogoja headdress | 66 |
| 13 | Gestures of healing : a Kongo fly whisk finial (Nsesa) | 72 |
| 14 | The illusion of lightness : a Baga/Nalu headdress (Banda) | 74 |
| 15 | Steps of aggression and peace : a Loma/Kpelle mask (Kpakologi Sinei) | 78 |
| 16 | Protecting the body and spirit : a Luba neckrest | 80 |
| 17 | We will fight you day or night : a Fante flag (Frankaa) | 82 |
| 18 | The speed and color of aggression : a Mossi mask (Wan-Zega) | 86 |
| 19 | Dancing the heat of life : a Pende mask | 88 |
| 20 | Movement in a funerary procession : a Kuba mask (Ishyeen Imaalu) | 92 |
| 21 | The transformation into spirit through a "constellation of arts" : a Dan mask (Tanke Ge) | 98 |
| 22 | Songs of insult : a Senufo headdress (Daagu) | 102 |
| 23 | Attracting the attention of the spirit : a Yoruba divination tapper and bowl | 106 |
| 24 | Tasting the sweetness of my songs : a Sukuma figure (Mabinda) | 110 |
| 25 | The world is fragile ... life should not be lived with force : a Yoruba headdress (Igi Gelede Onijakadi) | 114 |
| 26 | A reading of a statement of power : Nupe door panels | 118 |
| 27 | When it lies behind you, take it : Akan goldweights (Abrammuo) |A1@@Susan Elizabeth Gagliardi | 122 |
| 28 | Man is like palm wine : a Kuba cup | 126 |
| 29 | Personal and social messages : a Zulu beaded panel (Ubheshwana) | 128 |
| 30 | Dream animals as a link to the spiritual world : a Bwa mask | 136 |
| 31 | The Asye Usu can fall on you : a Baule figure (Asye Usu) | 138 |
| 32 | The military unit, the festival, the drama : an Ejagham mask | 140 |
| 33 | A spectacle of miracles : the Yoruba forest spirit mask (Aroni) | 144 |
| 34 | The many publics of the Bedu masquerade : Nafana male and female masks | 146 |
| 35 | A chorus of visual praise offerings : a Yoruba staff (Ose Shango) | 154 |
| 36 | The aura of power and mystery : an Asante figure (Akua'ba) | 156 |
| 37 | Sculptural biographies : a Lobi figure | 158 |
| 38 | The spectacle of lineage and hierarchy : two Cameroon headdresses | 160 |
| 39 | Air and water, the vertical and horizontal, tradition versus transition : a Baga headdress (A-Bil-fia-Tshol) | 164 |
| 40 | Where is my mate? : the importance of complementarity : a Bamana headdress (Ciwara) | 168 |
| 41 | Ideology of male of female movement : a Kuba mask (Ngady Mwaash) | 172 |
| 42 | Transcendent womanhood and the scavenger : a Mende mask (Ndoli Jowei) | 174 |
| 43 | Orienting the body : Egyptian viscera jars | 180 |
| 44 | Seeing between worlds : a Moba figure | 184 |
| 45 | Spaces of inclusion and exclusion : and Ibibio/Annang mask | 188 |
| 46 | You are the center, you are the village : a Pende rooftop figure (Kishikishi) | 190 |
| 47 | It is the east that has power : Sapi stone and wood figures | 194 |
| 48 | Allenating the living from the dead : a Senufo mask (Ponyugu) | 200 |
| 49 | This opportunity to dance : Kuba textiles | 204 |
| 50 | The fleeting flamboyance of the warrior : Massal ornamentation | 208 |
| 51 | Marking passage in momentary appearances : a Yao mask | 214 |
| 52 | Gendered seats - gendered space and time : a Lobi stool | 216 |
| 53 | Sun, fire, and variations on womanhood : a Baga/Bulubits mask (D'mba) | 222 |
| 54 | We cannot live without such beautiful things : weaving heddle pulleys | 225 |
| 55 | The hidden power of status : a Kwele currency piece (Zong) | 230 |
| 56 | You haven't seen the wild beast : a Manding headdress (Komo Kun) | 232 |
| 57 | The invisible scourer of the deep : a Mau mask (Komasu) | 236 |
| 58 | Substances and smells in the pursuit of evil : a Kongo figure (Nduda) | 242 |
| 59 | Blood sacrifice and the official memory : a Benin head | 244 |
| 60 | Fruitfulness, sensitivity, and the vow : a Pende mask (Kipoko) | 246 |
| 61 | The aroma of milk, the container, and the body : a Borana milk container (Gorfa) | 250 |
| 62 | Idiom of clairvoyance, healing, and shared moral inquiry : a Kongo figure (Nkisi Iumweno) | 258 |
| 63 | Cooling double trouble : Yoruba twin figures (Ere Ibeji) | 260 |
| 64 | A welcome to the guest of God : a Gurage basketry table | 264 |
| 65 | Virtuous meats against sorcery : a Numu mask (Gbain) |A1@@Susan Elizabeth Gagliardi | 266 |
| 66 | Commenting upon critical beliefs and values : a Mali puppet (Jine-Faro) | 272 |
| 67 | Celebrating virtuosity : a Dan female figure | 276 |
| 68 | Each performance is unique : a Lwena mask (Mwana wa Pwevo) | 278 |
| Afterword | 284 |
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Add SEE THE MUSIC HEAR THE DANCE Rethinking African Art at the Baltimore Museum of Art, This innovative look at African Art presents the wonders of one of America's best known African collections within the ritual context for which the artworks were first created. Drawing on The Baltimore Museum's renowned African Collection, this vibrantly , SEE THE MUSIC HEAR THE DANCE Rethinking African Art at the Baltimore Museum of Art to your collection on WonderClub |