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| Foreword | ||
| Ch. 1 | Beginning | 2 |
| Viola Spolin | 3 | |
| First class | 4 | |
| The rules | 9 | |
| Object work, or "a mime is not a terrible thing to waste" | 12 | |
| Environment | 13 | |
| Give and take | 16 | |
| Where we came from : a very brief history of revue | 18 | |
| An improvisational almanac : part one | 23 | |
| Ch. 2 | Playing the scene | 26 |
| Martin | 27 | |
| Perfect partner | 30 | |
| Relationship | 32 | |
| Transformation of relationships | 37 | |
| Perfect partner, part two | 39 | |
| Status | 39 | |
| Living large in the moment | 43 | |
| Play is physical | 48 | |
| An improvisational almanac : part 2 | 55 | |
| Ch. 3 | The performer inside the scene | 58 |
| A few thoughts on improvisation | 59 | |
| Finding the funny | 62 | |
| How do you create characters? or "I do hilarious guy who has a funny hat" | 64 | |
| Playing at the top of your intelligence | 67 | |
| Character : playing with intelligence and heart | 68 | |
| In the beginning ... making initiations | 72 | |
| Forming opinions | 74 | |
| Finding scenic point of view | 75 | |
| Finding your voice | 77 | |
| An improvisational almanac : part three | 81 | |
| Ch. 4 | Improvisation and acting | 84 |
| Building a character within an ensemble through the games | 86 | |
| An improvisational almanac : part four | 103 | |
| Ch. 5 | Long forms, short forms, scenes, and games | 106 |
| Improvisation : the fine line between suck and not bad and how to get away from that line and go to another line where the options are better | 107 | |
| Del Close | 109 | |
| Del Close games | 116 | |
| What's better? Long form or short form? | 118 | |
| Some definitions for those who desire them | 121 | |
| Scenic structure 101 | 123 | |
| Don DePollo | 123 | |
| Top ten performance games of the Second City national touring company | 126 | |
| An improvisational almanac : part five | 132 | |
| Ch. 6 | Creating material | 136 |
| Doing it again | 137 | |
| Pre-planning a Second City scene | 140 | |
| The ensemble creates a revue | 142 | |
| Putting up a traditional Second City improv set | 150 | |
| Blackouts and extended blackouts | 152 | |
| How to bottle lightning for fun and profit | 153 | |
| An improvisational almanac : part six | 160 | |
| Ch. 7 | Directing | 162 |
| Blessed obstacles | 164 | |
| Running orders | 173 | |
| Ideal running order | 176 | |
| An improvisational almanac : part seven | 179 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
George Lil
reviewed Second City Almanac of Improvisation on July 29, 2017
Second City Almanac of Improvisation
Kept photographing the pages to use when I'm teaching - lots of useful classroom exercises and pithy summaries of improv philosophies.
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Add Second City Almanac of Improvisation, It all began in a converted Chinese laundry on Chicago's north side on a cold December night in 1959. No one could have known that by the next century, The Second City would have established itself as the premier comedy institution in the world. Taking it, Second City Almanac of Improvisation to the inventory that you are selling on WonderClubX
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Add Second City Almanac of Improvisation, It all began in a converted Chinese laundry on Chicago's north side on a cold December night in 1959. No one could have known that by the next century, The Second City would have established itself as the premier comedy institution in the world. Taking it, Second City Almanac of Improvisation to your collection on WonderClub |
