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Introduction: Reassessing the Theatre of the Absurd
• “The Parable of Estagon’s Struggle with the Boot” in Waiting for Godot
• The Pinteresque Oedipal Household: The Interrogation Scene(s) in The Birthday Party * The Parable of the White Clown: The Use of Ritual in Jean Genet’s The Blacks: A Clown Show
• Berenger, The Sisyphean Hero
• Conclusion: Theorizing a “Female Absurd” in Beth Henley’s Crimes of the Heart as a Means of Reassessing the Theatre of the Absurd
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Add Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter, Fifty years after the publication of Martin Esslin's The Theatre of the Absurd, which suggests that absurd plays purport the meaninglessness of life, Michael Y. Bennett's Reassessing the Theatre of the Absurd is a timely reassessment of on, Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter to the inventory that you are selling on WonderClubX
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Add Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter, Fifty years after the publication of Martin Esslin's The Theatre of the Absurd, which suggests that absurd plays purport the meaninglessness of life, Michael Y. Bennett's Reassessing the Theatre of the Absurd is a timely reassessment of on, Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter to your collection on WonderClub |