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List of Illustrations | ||
Acknowledgments | ||
Notes on Contributors | ||
Introduction | 1 | |
Ch. 1 | Nazi Photographs in Post-Holocaust Art: Gender as an Idiom of Memorialization | 19 |
Ch. 2 | Narratives of Place: History and Memory and the Evidential Force of Photography in Work by Meridel Rubenstein and Joan Myers | 41 |
Ch. 3 | Still Moving Images: Photographs of the Disappeared in Films about the "Dirty War" in Argentina | 63 |
Ch. 4 | Image - Memory - Text | 89 |
Ch. 5 | Nan Goldin: Bohemian Ballads | 103 |
Ch. 6 | (Con)text and Image: Reframing Man Ray's Noire et blanche | 119 |
Ch. 7 | Gender in the Archive: Maria Zavala and the Drama of (not) Looking | 136 |
Ch. 8 | Humanism Reimagined: Spain as a Photographic Subject in W. Eugene Smith's "Spanish Village" (1951) and Cristina Garcia Rodero's Espana oculta (1989) | 149 |
Ch. 9 | Herve Guibert's Photographic Autobiography: Self-Portraiture in L'Image fantome | 167 |
Ch. 10 | Sophie Calle's Des histoires vraies: Irony and Beyond | 182 |
Ch. 11 | "Neither an Odyssey nor a Testament": Drifting with Jacques Derrida and Catherine Malabou | 201 |
Ch. 12 | In the Spiral of Time: Memory, Temporality, and Subjectivity in Chris Marker's La Jetee | 218 |
Ch. 13 | Talking through the "Fotygraft Album" | 239 |
Ch. 14 | The "Eyes of Affection" and Fashionable Femininity: Representations of Photography in Nineteenth-Century Magazines and Victorian "Society" Albums | 254 |
Selected Bibliography | 271 | |
Index | 281 |
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Add Phototextualities: Intersections of Photography and Narrative, How are photographs understood as narratives? In this book twenty-two original critical essays tackle this overarching question in a series of case studies moving chronologically across the history of photography from the 1840s to the twenty-first century, Phototextualities: Intersections of Photography and Narrative to the inventory that you are selling on WonderClubX
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Add Phototextualities: Intersections of Photography and Narrative, How are photographs understood as narratives? In this book twenty-two original critical essays tackle this overarching question in a series of case studies moving chronologically across the history of photography from the 1840s to the twenty-first century, Phototextualities: Intersections of Photography and Narrative to your collection on WonderClub |