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An appreciation | ||
Peter Fergusson | ||
Communal identity and the earliest Christian legislation on art : canon 36 of the Synod of Elvira | 1 | |
Richard of Fountains and the letter of Thurstan : history and historiography of a monastic controversy, St. Mary's Abbey, York, 1132 | 9 | |
"According to the form of the order" : the earliest Cistercian buildings in England and their context | 35 | |
Rievaulx Abbey : the early years | 47 | |
Aelred of Rievaulx and the institutional limits of monastic friendship | 55 | |
Making and breaking the bonds : Yorkshire Cistercians and their neighbours | 63 | |
The architecture of the choir at Clairvaux Abbey : Saint Bernard and the Cistercian principle of conspicuous poverty | 71 | |
Culross Abbey | 81 | |
The late twelfth-century rebuilding of the cenacle on Mount Sion and the fortunes of a style | 101 | |
Savigny and its saints | 109 | |
The lost choir : what was built at three Cistercian Abbey churches in Wales? | 115 | |
"I lift up mine eyes" : a re-evaluation of the tower in Cistercian architecture in Britain and Ireland | 125 | |
The crossing of Fountains Abbey Church | 137 | |
Turris Basilice Innixe : the western tower of the Collegiate Church of Saint-Quentin | 147 | |
The two Cistercian plans of Villard de Honnecourt | 157 | |
Ne aliquis extraneus claustrum intret : entry and access at the Augustinian Abbey of Saint-Jean-des-Vignes, Soissons | 173 | |
Chambers, cells, and cubicles : the Cistercian general chapter and the development of the private room | 187 | |
East of the Cloister : infirmaries, abbots' lodgings and other chambers | 199 | |
Cistercian Grange chapels | 213 | |
Cistercians in the city : the church of the College Saint-Bernard in Paris | 223 | |
From Flanders to Scotland : the choir stalls of Melrose Abbey in the fifteenth century | 235 | |
A bell-founders pit at the Cistercian Abbey of Grosbot (Charente) | 253 | |
Stained glass panels from Mariawald Abbey in the Cleveland Museum of Art | 261 | |
De laudibus Virginis Matris : the untold story of a standing infant Jesus, a venerating monk and a movable Madonna from Dargun Abbey | 269 | |
Fingerprinting stone from Saint-Remi in Reims | 283 | |
Predictions, prophecies, prose, and poetry on the reverse facade of Reims Cathedral | 291 | |
Bardney Abbey, Lincolnshire : benedictine with a Cistercian flavour | 301 | |
The Cistercians and the Romanesque churches of Galicia : Compostela or Clairvaux? | 313 | |
Cistercian influence on the Abbey of the paraclette? : plotting data from the Paraclete book of burials, customary, and necrology | 329 | |
Cistercian threads in the fabric of Canterbury and Salisbury Cathedrals | 341 | |
Cistercian design in the choir and transept of Wells Cathedral | 351 | |
Beating their swords into set squares | 369 | |
Furness Abbey : a case study in monastic secularisation | 377 | |
Planting over the past : an unknown episode in the post-monastic history of Pontigny Abbey | 387 |
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Add Perspectives For An Architecture Of Solitude Essays On Cistercians, Art And Architecture in ..., What was it that gave medieval art and architecture its form and style? What is it that attracts people to medieval art and architecture, especially that of the Cistercians? What shaped medieval buildings and determined their embellishments - and what now, Perspectives For An Architecture Of Solitude Essays On Cistercians, Art And Architecture in ... to your collection on WonderClub |