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Only skin deep Book

Only skin deep
Only skin deep, Few issues are as controversial as race and nation, reveating that after years of debate we still understand very little about how these terms of self-definition and identity work. Perhaps their meaning finds its most powerful expression in the medium of , Only skin deep has a rating of 4.5 stars
   2 Ratings
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Only skin deep, Few issues are as controversial as race and nation, reveating that after years of debate we still understand very little about how these terms of self-definition and identity work. Perhaps their meaning finds its most powerful expression in the medium of , Only skin deep
4.5 out of 5 stars based on 2 reviews
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  • Only skin deep
  • Written by author Coco Fusco and Brian Wallis
  • Published by New York : International Center of Photography/Harry N. Abrams, Inc., Publishers, 2003., 2003/12/01
  • Few issues are as controversial as race and nation, reveating that after years of debate we still understand very little about how these terms of self-definition and identity work. Perhaps their meaning finds its most powerful expression in the medium of
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Book Categories

Authors

Director's Foreword 6
Curators' Acknowledgments 8
Racial Time, Racial Marks, Racial Metaphors 13
The Theoretical Status of the Concept of Race 51
Plates I Looking Up / Looking Down 62
The Traffic in Photographs 79
The Shadow and the Substance: Race, Photography, and the Index 111
Looking for Empire in the U.S. Colonial Archive 129
Plates II Assimilate / Impersonate 144
Black Bodies, White Science: Louis Agassiz's Slave Daguerreotypes 163
Prairie Pinups: Reconsidering Historic Portraits of American Indian Women 183
No-Movies: The Art of False Documents 199
Plates III Humanize / Fetishize 204
Skin Head Sex Thing: Racial Difference and the Homoerotic Imaginary 237
The Consumption of Lynching Images 267
Exposure 275
Plates IV All for One / One for All 282
On the Matter of Whiteness 301
Autonomy and the Archive in America: Reexamining the Intersection of Photography and Stereotype 313
Toyo Miyatake and "Our World" 335
Passing Likeness: Dorothea Lange's "Migrant Mother" and the Paradox of Iconicity 345
Plates V Progress / Regress 356
Where Truth Ends and Fantasy Begins: Postcards from the South Pacific 371
Morphologies: Race as a Visual Technology 379
Checklist of the Exhibition 394
Selected Bibliography 404
Notes on the Contributors 409
Lenders to the Exhibition 410
Credits 411
Index 412


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