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Foreword Rachel Weiss Xi
Part I On And Against Translation Introduction 1
Chapter 1 Contemporary Colonial Art (1969) 8
Chapter 2 The Sixties (1998) 16
Chapter 3 Exile (1983) 22
Chapter 4 Political Pop (1998) 30
Chapter 5 Access To The Mainstream (1987) 37
Chapter 6 Wonder Bread And Spanglish Art (1989) 43
Chapter 7 Cultural Identities Before And After The Exit Of Bureau-Communism (1991) 54
Chapter 8 Art And Politics: The Aesthetics Of Resistance (1994) 63
Chapter 9 The Artist's Role And Image In Latin America (2oo4) 76
Chapter 10 Out Of Geography And Into The Moire Pattern (1996) 93
Chapter 11 The Reconstruction Of Salami (2003) 97
Chapter 12 Printmaking: A Colony Of The Arts (1999) 104
Chapter 13 My Museums (1995) 112
Chapter 14 The Forgotten Individual (1996) 117
Chapter 15 Free-Trade Diaspora (20o3) 120
Part II Other Histories Introduction 125
Chapter 16 Pedro Figari (1991) 131
Chapter 17 Resoftenings And Softenings In Uruguayan Art (1991) 150
Chapter 18 An Ode To Aquatint (2003) 155
Chapter 19 Revisiting Tautology (2006) 159
Chapter 20 The Museo Latino Americano And Micla (1992) 164
Chapter 21 Flying In Weightlessness (2004) 175
Chapter 22 Brazil In New York (200l) 184
Chapter 23 The Keeper Of The Lens (2005) 191
Chapter 24 The Two Versions Of Santa Anna's Leg And The Ethics Of Public Art (1995) 199
Chapter 25 The Biennial Of Utopias (1999) 208
Chapter 26 Introduction To The Symposium "Art As Education/Education As Art"(2007) 230
Index 239
Credits 253
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Lynda Johnson
reviewed On Art, Artists, Latin America, and Other Utopias on February 27, 2015
On Art, Artists, Latin America, and Other Utopias
The Lady of Guadalupe has always been one of my favorite Mary stories. I love how she asked Juan Diego if there was anything else that he needed from her. I also love to see what people will put her on! I don't think Mary minds.
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Add On Art, Artists, Latin America, and Other Utopias, Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the periphery to the center, Camnitzer has had to confro, On Art, Artists, Latin America, and Other Utopias to the inventory that you are selling on WonderClubX
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Add On Art, Artists, Latin America, and Other Utopias, Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the periphery to the center, Camnitzer has had to confro, On Art, Artists, Latin America, and Other Utopias to your collection on WonderClub |