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Book Categories |
Introduction | ||
I | The Practice | |
Character in Contemporary American Poetry | 3 | |
American Male Poetry of Sensibility | 15 | |
Character Weakness: Mauvaise Foi | 23 | |
Sex and Poetry | 33 | |
Rhetoricity | 41 | |
The Public Nature of End-Rhymed Poems | 51 | |
The Old Formalism | 63 | |
II | Personae | |
Leonard Nathan: Poet as Odysseus | 77 | |
Ted Kooser: The Chekhov of American Poetry | 89 | |
Richard Hugo's Gift to Us: The Permission of Emotional Honesty | 95 | |
The Poet as Clown | 105 | |
William Stafford: Genius in Carnouflage | 119 | |
The Judge Is Fury: The Moral Urgency of Mary Kinzie's Ghost Ship | 127 | |
Divine Honors: Hilda Raz and the Music of Pain | 133 | |
Conclusion | 139 | |
Index | 143 |
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Add Old Formalism : Character in Contemporary American Poetry, Part 1 of The Old Formalism, The Practice, is a close study of some of the conventions and developments in contemporary American poetry. In Personae, the second part, he gives a studied reading of a group of several admired poets. This book takes a , Old Formalism : Character in Contemporary American Poetry to the inventory that you are selling on WonderClubX
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Add Old Formalism : Character in Contemporary American Poetry, Part 1 of The Old Formalism, The Practice, is a close study of some of the conventions and developments in contemporary American poetry. In Personae, the second part, he gives a studied reading of a group of several admired poets. This book takes a , Old Formalism : Character in Contemporary American Poetry to your collection on WonderClub |