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Introduction: Around the World in Eighty Plays 1: Role Britannia, Britannia Rule the Stage: Imperial Theatricality Part I. The Nineteenth-Century Theatrical Robinsonade 2. When the Novel Isn’t Enough: Text and Performance in The Cataract of the Ganges 3. Adapting a Nation to Empire: The Evolution of the Crusoe Pantomime 4. Getting Crichton into Crusoe’s Clothes: Caste and the Castaway in The Admirable Crichton Part II. Theatrical Nabobery: Imperial Wealth, Masculinity, and Metropolitan Identities 5. From Historical Hype to Theatrical Hype: The Eighteenth-Century Origins of the Nineteenth-Century Theatrical Tiger 6. "The Yellow Beams of His Oriental Countenance": The Nabob as Racial and Cultural Hybrid 7. Australian Gold Rush Plays and the Anglo-Indian Nabob’s Antipodal Antithesis Part III. Staging the Mutiny 8. India in the Limelight: Empire and the Theatre of War 9. The Empire Needs Men: Mutiny Plays and the Mobilization of Masculinity 10. Forging a Greater Britain: The Highland Soldier and the Renegotiation of Ethnic Alterities Conclusion: The Boer War and the Shift from Stage to Cinema
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Add Nineteenth-Century Theatre and the Imperial Encounter, In this study, Gould argues that it was in the imperial capital's theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle offered Victorian audiences the illusion of unmediated acc, Nineteenth-Century Theatre and the Imperial Encounter to the inventory that you are selling on WonderClubX
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Add Nineteenth-Century Theatre and the Imperial Encounter, In this study, Gould argues that it was in the imperial capital's theatrical venues that the public was put into contact with the places and peoples of empire. Plays and similar forms of spectacle offered Victorian audiences the illusion of unmediated acc, Nineteenth-Century Theatre and the Imperial Encounter to your collection on WonderClub |