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| Notes on contributors | ||
| Introduction to the series | ||
| Acknowledgements | ||
| 1 | Introduction: Genre and narrative in life stories | 1 |
| 2 | Oral History as Genre | 23 |
| 3 | Silences: The case of a psychiatric hospital | 46 |
| 4 | A Brazilian Worker's Autobiography in an Unexpected Form: Interweaving the interview and the novel | 63 |
| 5 | Family Fables | 81 |
| 6 | Anecdote as Narrative Resource in Working-Class Life Stories: Parody, dramatization and sequence | 99 |
| 7 | My Life as Consumer: Narratives from the world of goods | 114 |
| 8 | Distant Homes, Our Genre: Recognizing Chinese lives as an anthropologist | 126 |
| 9 | The Oral History Interview in a Cross-Cultural Setting: An analysis of its linguistic, social and ideological structure | 142 |
| 10 | In the Archive, in the Field: What kind of document is an 'oral history'? | 160 |
| 11 | Sharing and Reshaping Life Stories: Problems and potential in archiving research narratives | 167 |
| Raphael Samuel: An appreciation | 182 | |
| Raphael Samuel: A select bibliography | 191 | |
| A call for contributions | 193 | |
| Index | 196 |
| Price | Condition | Delivery | Seller | Action |
| $170.00 | Digital |
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Add Narrative and Genre, Any life story, whether a written autobiography or an oral testimony, is shaped not only by the reworkings of experience through memory and re-evaluation, but also art. Any communication has to use shared conventions not only of language itself but also t, Narrative and Genre to the inventory that you are selling on WonderClubX
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Add Narrative and Genre, Any life story, whether a written autobiography or an oral testimony, is shaped not only by the reworkings of experience through memory and re-evaluation, but also art. Any communication has to use shared conventions not only of language itself but also t, Narrative and Genre to your collection on WonderClub |