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Series Editor's Foreword | ||
Acknowledgments | ||
Abbreviations | ||
Introduction | ||
Ch. 1 | Ada's "Malbrough s'en va-t-en guerre" | 3 |
Ch. 2 | Music in the Theater of the Mind: Opera and Vladimir Nabokov | 21 |
Ch. 3 | Resonances of Popular Music in Lolita, Pale Fire, and Ada | 43 |
Ch. 4 | The Quest for a Natural Melody in the Fiction of Vladimir Nabokov | 69 |
Ch. 5 | Vladimir Nabokov's Invitation to a Beheading and Igor Stravinsky's Petrushka | 87 |
Ch. 6 | "Ballet Attitudes": Nabokov's Lolita and Petipa's The Sleeping Beauty | 111 |
Ch. 7 | Pninian Performatives | 127 |
Ch. 8 | Alexander Pope's The Rape of the Lock and Vladimir Nabokov's Pale Fire | 161 |
Ch. 9 | European Art: A Framing Device? | 183 |
Ch. 10 | Nabokov and Comic Art | 213 |
Ch. 11 | Nabokov's Painted Parchments | 235 |
Bibliography | 271 | |
Contributors | 283 |
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