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Music, Modernity, and the Global Imagination: South Africa and the West Book

Music, Modernity, and the Global Imagination: South Africa and the West
Music, Modernity, and the Global Imagination: South Africa and the West, How was Africa seen by the West during the colonial period? How do Europeans and Americans conceive of Africa in today's postcolonial era? Such questions have preoccupied anthropologists, historians, and literary scholars for years. But few have asked the, Music, Modernity, and the Global Imagination: South Africa and the West has a rating of 4 stars
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Music, Modernity, and the Global Imagination: South Africa and the West, How was Africa seen by the West during the colonial period? How do Europeans and Americans conceive of Africa in today's postcolonial era? Such questions have preoccupied anthropologists, historians, and literary scholars for years. But few have asked the, Music, Modernity, and the Global Imagination: South Africa and the West
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  • Music, Modernity, and the Global Imagination: South Africa and the West
  • Written by author Veit Erlmann
  • Published by Oxford University Press, USA, June 1999
  • How was Africa seen by the West during the colonial period? How do Europeans and Americans conceive of Africa in today's postcolonial era? Such questions have preoccupied anthropologists, historians, and literary scholars for years. But few have asked the
  • How was Africa seen by the West during the colonial period? How do Europeans and Americans conceive of Africa in today's postcolonial era? Such questions have preoccupied anthropologists, historians, and literary scholars for years. But few have asked the
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Introduction3
Pt. I"Heartless Swindle": The African Choir and the Zulu Choir in England and America11
1Archaic Images, Utopian Dreams: Forms of Nineteenth-Century Historical Consciousness15
2"Style Is Just the Man Himself": (Auto)Biography, Self-Identity, and Fictions of Global Order32
3Inventing the Metropolis: Josiah Semouse's Travel Diary and the Dilemmas of Representation59
4"Spectatorial Lust": Spectacle and the Crisis of Imperial Knowledge86
5Symbols of Inclusion and Exclusion: Nationalism, Colonial Consciousness, and the "Great Hymn"111
6Variations upon a Theme: The Zulu Choir in London, 1892-93133
7"God's Own Country": Black America, South Africa, and the Spirituals144
8Interlude165
Pt. II"Days of Miracle and Wonder": Graceland and the Continuities of the Postcolonial World167
9Figuring Culture: The Crisis of Modernity and Twentieth-Century Historical Consciousness173
10Hero on the Pop Chart: Paul Simon and the Aesthetics of World Music179
11Fantasies of Home: The Antinomies of Modernity and the Music of Ladysmith Black Mambazo199
12Dream Journeys: Techniques of the Self and the Biographical Imagination of Bhekizizwe J. Shabalala214
13Songs of Truth and Healing: Searching for a New South Africa234
14Communities of Style: Musical Figures of Black Diasporic Identity246
15Dances with Power: Michael Jackson, Ladysmith Black Mambazo, and the Ambiguities of Race268
16Epilogue: The Art of the Impossible281
Notes283
Index308


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Music, Modernity, and the Global Imagination: South Africa and the West, How was Africa seen by the West during the colonial period? How do Europeans and Americans conceive of Africa in today's postcolonial era? Such questions have preoccupied anthropologists, historians, and literary scholars for years. But few have asked the, Music, Modernity, and the Global Imagination: South Africa and the West

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