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| List of figures and plates | ||
| Series editors' preface | ||
| Prefatory note | ||
| Pt. 1 | 'Dangerous matter': Shakespeare's Richard II - its structure and context | |
| I | A question of balance: the problematic structure of Richard II | 2 |
| II | Deposition and regicide: the concept of 'state' in Shakespeare's Richard II | 21 |
| III | The politics and aesthetics of 'subsequent performances': Richard II on the mid-seventeenth- to mid-nineteenth-century stage | 30 |
| Pt. 2 | Richard II on stage and television: 1857-1987 | |
| IV | The spectacle of history: Charles Kean and Jeremy Irons/Barry Kyle | 48 |
| V | A play of personality: Frank Benson, John Gielgud and Ian McKellen | 63 |
| VI | In the context of English History: Anthony Quayle (1951); the RSC's Wars of the Roses (1964) and the ESC's Wars of the Roses (1986/89) | 91 |
| VII | Adjusting the balance: John Barton (1973/74) | 117 |
| VIII | Richard II on television: Maurice Evans (NBC) and Derek Jacobi (BBC) | 138 |
| Pt. 3 | Richard II in other cultural contexts | |
| IX | The politics and aesthetics of theatrical languages: Richard II on the European stage - Jean Vilar, Giorgio Strehler and Ariane Mnouchkine | 154 |
| Afterword: A Richard II for the 1990s | 180 | |
| Bibliography | 185 | |
| Appendix 1 The Lambarde Document, 1601 | 190 | |
| Appendix 2 The Entry into London (Charles Kean, 1857) | 192 | |
| Appendix 3 Major actors and staff | 194 | |
| Index | 201 |
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