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Acknowledgments | ||
Introduction | 1 | |
Ch. 1 | Inviting Theory: From Formalism to Cultural Studies | 8 |
Ch. 2 | Formalism: Structure and Idea in M. C. Higgins, the Great | 15 |
Ch. 3 | Archetypes: The Monomyth in Dogsong | 33 |
Ch. 4 | Structuralism: Decoding Signs in The Moves Make the Man | 56 |
Ch. 5 | Deconstruction: Unraveling The Giver | 75 |
Ch. 6 | Reader-Response: Identity Themes in Fallen Angels | 95 |
Ch. 7 | Feminism: Mother/Daughter Transformations in "The Leaving" | 116 |
Ch. 8 | Black Aesthetics: Signifyin(g) in A Lesson Before Dying | 138 |
Ch. 9 | Cultural Studies: Social Construction and AIDS in Night Kites | 161 |
Ch. 10 | Theory as Prism: Multiple Readings of Jacob Have I Loved | 187 |
Inviting Theory: End Thoughts | 201 |
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