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Acknowledgments | ||
Introduction | 1 | |
Ch. 1 | Acquisition of Rights | 7 |
1.1 | Celebrity Names and Likenesses | 7 |
1.2 | Personal Reputations | 50 |
1.3 | Titles and Company Names | 58 |
1.4 | Literary, Dramatic, Musical and Artistic Works | 66 |
Ch. 2 | Employment of Talent | 139 |
2.1 | Immigration | 139 |
2.2 | Talent Guild Jurisdiction | 186 |
2.3 | Taxation of Foreign Performers | 219 |
Ch. 3 | Finance | 241 |
3.1 | Pre-Sale Financing | 242 |
3.2 | Government Incentive Financing | 272 |
3.3 | Co-Production Financing | 284 |
Ch. 4 | Production | 297 |
Ch. 5 | Distribution | 299 |
5.1 | Copyright Barriers to International Distribution | 300 |
5.2 | Trade Law Barriers to International Distribution | 319 |
Ch. 6 | Performance, Exhibition, and Sale | 335 |
6.1 | Domestic Content Requirements | 335 |
6.2 | Government Regulation of Offensive Content | 361 |
6.3 | Performance, Reproduction, Transmission and Sale | 368 |
Table of Cases and Other Materials | 405 | |
Index | 409 |
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Add International Entertainment Law, Because entertainment is one of America's most vital and important industries, the legal implications of the international aspects of the business are of vital importance. This is the first casebook to deal with international entertainment law, focusing o, International Entertainment Law to the inventory that you are selling on WonderClubX
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Add International Entertainment Law, Because entertainment is one of America's most vital and important industries, the legal implications of the international aspects of the business are of vital importance. This is the first casebook to deal with international entertainment law, focusing o, International Entertainment Law to your collection on WonderClub |