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Editor's Note | ||
Paul Sills' Introduction | ||
Paul Sills' Sayings of Viola Spolin | ||
Alphabetical List of Exercises | ||
Acknowledgments | ||
Viola Spolin's Preface to the First Edition | ||
Viola Spolin's Preface to the Second Edition | ||
Theory and Foundation | ||
Ch. I | Creative Experience | 3 |
Ch. II | Workshop Procedures | 18 |
Exercises | ||
Ch. III | Orientation | 51 |
Ch. IV | Where | 87 |
Ch. V | Acting with the Whole Body | 135 |
Ch. VI | Non-Directional Blocking | 145 |
Ch. VII | Refining Awareness | 157 |
Ch. VIII | Broadcasting and Technical Effects | 180 |
Ch. IX | Developing Material for Situations | 189 |
Ch. X | Speech and Rounding-Out Exercises | 206 |
Ch. XI | Emotion | 219 |
Ch. XII | Character | 233 |
Children and the Theater | ||
Ch. XIII | Understanding the Child | 253 |
Ch. XIV | Fundamentals for the Child Actor | 268 |
Ch. XV | Workshop for Six-to-Eight-Year-Olds | 278 |
Formal Theater and Improvisational Theater | ||
Ch. XVI | Preparation | 297 |
Ch. XVII | Rehearsal and Performance | 307 |
Ch. XVIII | Post-Mortem and Special Problems | 341 |
Definition of Terms | 355 | |
Glossary of Side-Coaching Phrases | 374 | |
App. I | New Exercises | 379 |
App. II | Traditional Games | 399 |
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