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Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728 Book

Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728
Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728, From the early 18th century until the present day, opera seria as practised by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic displays. Close examination of Handel's autograph manuscr, Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728 has a rating of 4 stars
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Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728, From the early 18th century until the present day, opera seria as practised by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic displays. Close examination of Handel's autograph manuscr, Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728
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  • Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728
  • Written by author C. Steven LaRue
  • Published by Oxford University Press, USA, August 1995
  • From the early 18th century until the present day, opera seria as practised by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic displays. Close examination of Handel's autograph manuscr
  • From the early eighteenth-century until the present day, opera seria as practiced by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic vocal displays. Close examination of Handel's autog
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Authors

List of Figures
List of Tables
List of Music Examples
Abbreviations
1Cast, Librettist, Composer1
2A General Description of the Sources8
3Francesco Borosini and the Two First Versions of Tamerlano (1724)17
4Margherita Durastanti as Leading Man and Leading Woman80
5Senesino and the Heroic-Anti-Heroic Male Role105
6The Singer as Specific Character Type125
7Francesca Cuzzoni and Faustina Bordoni: The Rival Queens144
8Conclusion182
Appendix 1. Synopsis of Piovene's Tamerlano (1710)191
Appendix 2. Comparison of Piovene, Tamerlano (1710) with Haym, Tamerlano (23 July 1724)195
Appendix 3. Projected and Actual Casts for the First Season of the Royal Academy of Music, 1720-1721203
Bibliography205
Index211


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Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728, From the early 18th century until the present day, opera seria as practised by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic displays. Close examination of Handel's autograph manuscr, Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728

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Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728, From the early 18th century until the present day, opera seria as practised by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic displays. Close examination of Handel's autograph manuscr, Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728

Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728

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Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728, From the early 18th century until the present day, opera seria as practised by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic displays. Close examination of Handel's autograph manuscr, Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728

Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728

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