From The Greek Mimes To Marcel Marceau And Beyond Book

Foreword Preface Acknowledgments Introduction: On the Meaning of Mime and Pantomime Major Developments of the Art of Mime in the Occident and Orient Exponents of Twentieth-Century Mime Schools and Movement Styles Part One: Mime through the Ages
1 Mime, First Language and Art: Mime in Greece and Rome
2 Mimes and Jongleurs of the Middle Ages
3 Origins of the Commedia Dell'Arte and the Theatres de la Foire
4 Gaspard Deburau and the Pierrots of the Nineteenth Century
5 English Pantomime
6 Mime and Movement in German, Russian, and Italian Theatre
7 Exit Pierrot. Enter Georges Wague Part Two: Twentieth-Century Mime
8 Etienne Decroux, Father of Corporeal Mime
9 Jean-Louis Barrault
10 Marcel Marceau
11 Jacques Lecoq
12 Mimes of Twentieth-Century Europe
13 Mime and Movement Theatre in North America
14 Women's Voices in Mime
15 Movement and Silence in Modern and Postmodern Verbal Theatre
16 Whither Mime?
Appendixes A School and Centers for Movement Training B Archives, Resource Centers, and Artist Directories; Periodicals and Publications; Library and Museum Collections; Pantomime and Mime Scripts and Bookshop Collections; Festivals C Filmography Works Consulted and Cited Index About the Author