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| The Half-Acre of Millet | 5 | |
| In Pharaoh's Tomb | 6 | |
| Old Song for the Bo | 7 | |
| Burial Rites | 8 | |
| Because I Am | 9 | |
| Agenda at 74 | 10 | |
| Old Man's Sleep | 11 | |
| Shooting Rats | 12 | |
| Tartar | 13 | |
| At Seventy-five: Rereading an Old Book | 15 | |
| Coffee | 16 | |
| Cold Coffee | 17 | |
| Compleynte | 18 | |
| Economics | 19 | |
| Home Pome | 20 | |
| Nana | 21 | |
| New Paragraph | 23 | |
| Old Man Succumbing to Retrospection | 24 | |
| Political Considerations | 25 | |
| Stabat Mater | 27 | |
| Stink | 28 | |
| Stones Again | 29 | |
| The Heron | 30 | |
| The Sound | 31 | |
| Dearest M- | 35 | |
| Remembering Matches | 53 | |
| Remembering Fucking | 54 | |
| Time and the Cherry Tree | 55 | |
| Letter to Sam Hamill I | 56 | |
| Letter to Sam Hamill II | 58 | |
| Cats | 60 | |
| Psychotropics | 61 | |
| Letter to Stephen Dobyns I | 62 | |
| Letter to Stephen Dobyns II | 63 | |
| Faxes to William | 67 | |
| While Reading Basho | 91 | |
| The Fantastic Names of Jazz | 107 | |
| Big Jim | 108 | |
| End of Winter | 109 | |
| Her Song | 112 | |
| Letter to Denise | 113 | |
| Literary Note | 115 | |
| Memory | 116 | |
| My Dear Odysseus | 117 | |
| No-men-cla-ture | 118 | |
| The Physics and Metaphysics of the Partial Plate | 119 | |
| Senility | 120 | |
| Something for the Trade | 121 | |
| Somewhere | 122 | |
| The Cruel | 123 | |
| The New Quarry | 124 | |
| Then | 125 | |
| Time, Place, and Parenthood | 126 | |
| To a Friend Who Is Incommunicado | 128 | |
| To My Younger Friends | 129 | |
| Turning Back the Clocks | 130 | |
| About the Author | 135 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Amanda Bean
reviewed Doctor Jazz on September 26, 2020
Doctor Jazz
I haven't decided how I feel about Carruth's poetry. He's very frank and plainspoken--crude at times, in ways that are very jarring and uncomfortable. But he can also be hilarious and poignant in turns. This collection was a bit of a mixed bag--there were many poems that I didn't care for, or was unmoved by, but I loved his series of "Faxes to William". (They are best read aloud, in a group of people who share a sense of humor and are inclined to be pleased.)
If the library had this collection, I would have been content to return it, without feeling the need to have it on my shelf. But I am not upset to own it.
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