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Foreword | viii | |
Chapter 1 | The Ideographic Myth | 1 |
Chapter 2 | How the Ideographic Myth Alienates Asian Studies from Psychology and Linguistics | 21 |
Chapter 3 | A Phantom of Linguistic Relativity: Script, Speech, and Thought | 52 |
Chapter 4 | Are Chinese Characters Ideographs? An Argument from the Psycholinguistic Perspective | 75 |
Chapter 5 | Teaching Johnny to Read Japanese: Some Thoughts on Chinese Characters | 92 |
Chapter 6 | Sound and Meaning in the History of Characters: Views of China's Earliest Script Reformers | 105 |
Chapter 7 | Functional Answers to Structural Problems in Thinking About Writing | 124 |
Chapter 8 | The Exception that Proves the Rule: Ideography and Japanese Kun'yomi | 177 |
Chapter 9 | How the Ideographic Myth Misleads Historians: An Example from the Occupation of Japan | 194 |
Chapter 10 | Ideograph as Other in Poststructuralist Literary Theory | 205 |
Chapter 11 | Spillover to the Americas: The Ideographic Myth as a Barrier to Deciphering Maya Writing | 225 |
References | 228 | |
Contributors | 265 | |
Index | 266 |
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Add Difficult Characters: Interdisciplinary Studies of Chinese and Japanese Writing, US scholars of anthropology, Chinese, Japanese, linguistics, education, and neuropsychology, explore how their various disciplines address the notion that Chinese characters are ideographs, or symbols that express ideas directly to the mind without refere, Difficult Characters: Interdisciplinary Studies of Chinese and Japanese Writing to the inventory that you are selling on WonderClubX
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Add Difficult Characters: Interdisciplinary Studies of Chinese and Japanese Writing, US scholars of anthropology, Chinese, Japanese, linguistics, education, and neuropsychology, explore how their various disciplines address the notion that Chinese characters are ideographs, or symbols that express ideas directly to the mind without refere, Difficult Characters: Interdisciplinary Studies of Chinese and Japanese Writing to your collection on WonderClub |