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Acknowledgments | ix | |
Introduction | 1 | |
1 | Programmed Chaos: Dewey Phillips on the Air | 7 |
2 | Before the Storm: Dewey Arrives at the Five-and-Dime | 30 |
3 | The White Brother on Beale Street | 45 |
4 | The New Memphis Sound: The Birth of Black Programming | 64 |
5 | "What in the World Is That?" Is This Guy Black or White? | 74 |
6 | Racial Cross-Pollination: Black and White Together | 87 |
7 | The Great Convergence: Pop Tunes' One-Stop | 96 |
8 | The Phillips Boys: Soul (Better than Blood) Brothers | 106 |
9 | Red, Hot and Blue: The Hottest Cotton-Pickin' Thang in the Country | 122 |
10 | Dewey and Elvis: The Synthesized Sound | 135 |
11 | Dewey Introduces Elvis to the World | 144 |
12 | The King and His Court Jester: Men-Children in the Promised Land | 159 |
13 | "Red Hot at First... Blue at the Very End" | 175 |
14 | The Final Descent: "If Dewey Couldn't Be Number One, He Didn't Wanna Be" | 193 |
15 | "Goodbye, Good People" | 207 |
16 | The Legacy: The Next Generation and Beyond | 222 |
Epilogue | 231 | |
Notes | 235 | |
Bibliography | 265 | |
Index | 277 |
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