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Preface | ||
Old-English Oral-Formulaic Tradition and Middle-English Verse | 1 | |
The Speeches in the Waldere Fragments | 21 | |
The Lost Honor of Sir Gawain | 30 | |
The Oral-Traditional Opening Theme in the Poems of Cynewulf | 40 | |
Maldon: History, Poetry, and Truth | 66 | |
Beowulf's Fourth Act | 85 | |
Agon and Gnomon: Forms and Functions of the Anglo-Saxon Riddles | 110 | |
The Aesthetics of the Fragment: Sappho 105a and 105c (L.-P.) | 151 | |
Character and Style: Achilles in Iliad 18 | 168 | |
The Funeral Pyre Theme in Beowulf | 185 | |
Synthetic Kinship in Serbo-Croatian Epic | 201 | |
Marie de France and the "Surplus of Sense": A Modest Proposal Concerning the Lais | 216 | |
Exeter Riddle 31: Feather-pen | 234 | |
Jesus Asleep in the Boat: A Thrice-Told Tale | 250 | |
The Mouthful of the Giants: Words and Space in Indo-European Revelation Discourse | 266 | |
Beowulf and the Russian Byliny | 304 | |
Caedmon and the Germanic Tradition | 324 | |
Toward an Anglo-Saxon Oral Poetics | 359 | |
Traces of Orality in an Irish Literary Text | 378 | |
The Aesthetics of Andreas: The Contexts of Oral Tradition and Patristric Latin Poetry | 388 | |
The Making of a Xhosa Oral Poem | 411 | |
Renoir's Armring: A Xhosa Oral Poem | 435 | |
"Verbal Sea Charts" and Beowulf's Approach to Denmark | 441 | |
The Traditional Narrator in Beowulf and Homer | 456 | |
Another Old English - Old Saxon Isogloss: (REM) Activity | ||
From an Aesthetic Point of View...: Receptional Aspects of Old English Poetry | 494 | |
The Poetics of Absence: "The Lament of the Sole Survivor" in Beowulf | 542 | |
The Heroic Oath of Hildebrand | 551 | |
A Provisional Bibliography: Alain Renoir | 587 |
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