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| Acknowledgements | ||
| List of tables and figures | ||
| Contributors | ||
| Introduction. Visions of crime and justice | 1 | |
| 1 | From law and order to lynch mobs: crime news since the Second World War | 13 |
| 2 | Video violence: how far can you go? | 33 |
| 3 | 'Signal crimes': detective work, mass media and constructing collective memory | 51 |
| 4 | Masculinity, morality and action: Michael Mann and the heist movie | 73 |
| 5 | Sex crime and the media: press representations in Northern Ireland | 90 |
| 6 | Organized crime: Mafia myths in film and television | 116 |
| 7 | Political violence, Irish Republicanism and the British media: semantics, symbiosis and the state | 133 |
| 8 | Mass media/mass murder: serial killer cinema and the modern violated body | 156 |
| 9 | Photo stories and family albums: imaging criminals and victims on Crimewatch UK | 175 |
| 10 | Media representations of visual surveillance | 192 |
| 11 | Completing the 'half-formed picture'? Media images of policing | 214 |
| 12 | Film lawyers: above and beyond the law | 238 |
| 13 | British justice: not suitable for public viewing? | 254 |
| 14 | The screen machine: cinematic representations of prison | 278 |
| Index | 298 |
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| $99.99 | Digital |
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Add Criminal Visions, Mason (Centre for Crime, Conflict and the Media, Southampton Institute) introduces 14 chapters focusing on the under-studied role of visual images in media constructions of criminal behavior and law enforcement. UK contributors present analyses on topics , Criminal Visions to the inventory that you are selling on WonderClubX
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Add Criminal Visions, Mason (Centre for Crime, Conflict and the Media, Southampton Institute) introduces 14 chapters focusing on the under-studied role of visual images in media constructions of criminal behavior and law enforcement. UK contributors present analyses on topics , Criminal Visions to your collection on WonderClub |