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Acknowledgments | ||
Preface | ||
Pt. 1 | Literary Culture | |
1 | Cultural Context | 3 |
2 | Typee: (Re)Making the Best-Seller | 27 |
3 | Reader Expectations and Innovation in Omoo and Mardi | 47 |
4 | Writer and Community in Redburn and White-Jacket | 80 |
Pt. 2 | Critical Debates | |
5 | Originality: The Case of Moby-Dick | 101 |
6 | (Un)Popularity: Moby-Dick and Pierre | 123 |
Pt. 3 | The Periodical Marketplace | |
7 | Marketplace Conditions | 151 |
8 | Creative Reliance: Periodical Practices in the Magazine Fiction | 165 |
Pt. 4 | New Audiences, New Forms | |
9 | Writing the American Novel: The Confidence-Man | 213 |
10 | The Move to Poetry | 228 |
Notes | 231 | |
Index | 269 |
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Add Correspondent Colorings: Melville in the Marketplace, This innovative book makes a major contribution to the current revision of the American literary canon. Challenging the view of Melville as an isolated, alienated genius, Sheila Post-Lauria presents him not only as a writer keenly attuned to the popular c, Correspondent Colorings: Melville in the Marketplace to the inventory that you are selling on WonderClubX
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Add Correspondent Colorings: Melville in the Marketplace, This innovative book makes a major contribution to the current revision of the American literary canon. Challenging the view of Melville as an isolated, alienated genius, Sheila Post-Lauria presents him not only as a writer keenly attuned to the popular c, Correspondent Colorings: Melville in the Marketplace to your collection on WonderClub |