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List of contributors | ||
List of figures | ||
Preface | ||
1 | Introduction | 1 |
2 | The biological basis of Renaissance aesthetics | 12 |
3 | The perception of beauty in landscape in the quattrocento | 28 |
4 | 'Condecenti et netti ...': beauty, dress and gender in Italian Renaissance art | 44 |
5 | Giovanni Sabadino degli Arienti and a practical definition of magnificence in the context of Renaissance architecture | 52 |
6 | Beauty as an aesthetic and artistic ideal in late fifteenth-century Florence | 66 |
7 | Defining the beautiful in early Renaissance Germany | 80 |
8 | The artist as beauty | 93 |
9 | 'La piu bella e meglio lavorata opera': beauty and good design in Italian Renaissance architecture | 107 |
10 | Poetry in motion: beauty in movement and the Renaissance conception of leggiadria | 124 |
11 | Resplendent vessels: Parmigianino at work in the Steccata | 134 |
12 | Michelangelo's Christian neoplatonic aesthetic of beauty in his early oeuvre: the nuditas virtualis image | 147 |
13 | Venetian glass and Renaissance self-fashioning | 163 |
14 | Vasari's interpretation of female beauty | 179 |
15 | The notion of beauty in Francesco Bocchi's Bellezze della citta di Fiorenza, I | 191 |
16 | The notion of beauty in Francesco Bocchi's Bellezze della citta di Fiorenza, II | 199 |
Bibliography | 207 | |
Index | 227 |
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