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Acknowledgments | ||
Ch. 1 | Salado Pottery: Problem and Methods | 1 |
Ch. 2 | Salado Culture and Salado Pottery | 11 |
Ch. 3 | The Question of Source by Patricia Crown and Ronald L. Bishop | 21 |
Ch. 4 | Salado Pottery Technology and Forms | 37 |
Ch. 5 | Salado Polychrome Painted Designs | 55 |
Ch. 6 | Vessel Context and Use | 99 |
Ch. 7 | The Organization of Production of the Salado Polychromes | 115 |
Ch. 8 | Effigy and Other Eccentric Vessels | 123 |
Ch. 9 | The Content of Salado Polychrome Designs | 131 |
Ch. 10 | The Heritage of the Salado Polychromes | 177 |
Ch. 11 | Evaluating Four Models of Salado Polychrome Origin and Dissemination | 191 |
Ch. 12 | The Salado Polychromes in Southwestern Prehistory | 211 |
Appendix A: Experimental Procedures and Parameters Used in the Instrumental Neutron Activation Analysis of the Gila Polychrome Ceramics | 227 | |
References Cited | 233 | |
Index | 247 |
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Add Ceramics and Ideology: Salado Polychrome Pottery, The late thirteenth-century Southwest was characterized by environmental change and a related dramatic population shift from north to south. The associated appearance, dissemination, and subsequent disappearance of the pottery known as Salado Polychrome h, Ceramics and Ideology: Salado Polychrome Pottery to the inventory that you are selling on WonderClubX
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Add Ceramics and Ideology: Salado Polychrome Pottery, The late thirteenth-century Southwest was characterized by environmental change and a related dramatic population shift from north to south. The associated appearance, dissemination, and subsequent disappearance of the pottery known as Salado Polychrome h, Ceramics and Ideology: Salado Polychrome Pottery to your collection on WonderClub |