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Introduction | ||
Pt. 1 | Getting Started | |
1 | The Workshop | 3 |
Pt. 2 | How to Improvise - Basic Technique of Improvisation | |
2 | Essential Starters | 19 |
3 | Physical Doing | 49 |
4 | Inner Doing | 107 |
5 | Vocal Doing | 169 |
Pt. 3 | Improvisation Applications to Rehearsals for Theater, Film, and TV | |
6 | First Level Improvisations for Scripted Scenes | 217 |
Pt. 4 | Improvising Professional Acting Skills | |
7 | Character | 239 |
8 | Camera and Stage Auditions: First Level Improvisation Applications | 313 |
9 | Emotions | 329 |
10 | Conflict | 403 |
11 | Agreement | 475 |
Pt. 5 | Acting the Script with Improvisation Technique | |
12 | Purpose of Scene | 503 |
13 | Monologues and Purpose of Scene | 541 |
14 | Gaining More Finesse with Purpose of Scene | 565 |
Conclusion | 605 | |
App. A | Sample Umbrella Arcs | 609 |
App. B | Sample Emotion & Attitude Choices | 612 |
App. C | Sample Character Arcs | 614 |
App. D | Sample Attitude Lines | 615 |
App. E: Suggested Workshop Formats | 617 | |
App. F: Traditional Children's Games | 621 | |
Notes | 623 | |
Index of Acting Focuses, Exercises & Processes | 627 | |
Acknowledgments | 629 |
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Add Book on Acting: Improvisation Technique for the Professional Actor in Film, Theater and Television, Book on Acting begins with immediate training in how to improvise. Book's fundamental principle of improvisation is Acting is doing, and there is always more to do. The actor learns what to do to keep himself in a spontaneous improvisational state.
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Add Book on Acting: Improvisation Technique for the Professional Actor in Film, Theater and Television, Book on Acting begins with immediate training in how to improvise. Book's fundamental principle of improvisation is Acting is doing, and there is always more to do. The actor learns what to do to keep himself in a spontaneous improvisational state.
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