Black music, white business Book

	Preface and acknowledgements	9
Pt. 1	The political economy of jazz then and now
1	'You don't own your own product': an introduction to the political economy of jazz	15
2	Why let a little thing like death interfere with exploitation?	25
3	'Selling records to colored people': white contempt for black art	37
4	If you're black, get back: double standards in the recording industry	55
Pt. 2	Approaching jazz history
5	You don't have to be intellectually dishonest to defend the status quo in jazz - but it helps	83
6	The 'jazz tradition': black music, white critic	95
7	The Afro-American folk roots of innovation in jazz	127
App. A	Mark Levine's contract with Catalyst Records	145
App. B	Royalty payments to Mark Levine from United Artists Records	152
	Index	161