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Acknowledgments | ||
Editor's Note: How to Use This Edition | ||
Abbreviations and Textual Practices | ||
Introduction | 1 | |
Moore's Early Volumes: From Poems (1921) to Observations (1924) | 18 | |
Front Material | 41 | |
To an Intra-Mural Rat | 51 | |
Reticence and Volubility | 52 | |
To a Chameleon | 53 | |
A Talisman | 54 | |
To a Prize Bird | 55 | |
Injudicious Gardening | 56 | |
Fear Is Hope | 57 | |
To a Strategist | 58 | |
Is Your Town Nineveh? | 59 | |
A Fool, a Foul Thing, a Distressful Lunatic | 60 | |
To Military Progress | 61 | |
An Egyptian Pulled Glass Bottle in the Shape of a Fish | 62 | |
To a Steam Roller | 63 | |
Diligence Is to Magic as Progress Is to Flight | 64 | |
To a Snail | 65 | |
"The Bricks Are Fallen Down, We Will Build with Hewn Stones. The Sycamores Are Cut Down, We Will Change to Cedars." | 66 | |
George Moore | 67 | |
"Nothing Will Cure the Sick Lion but to Eat an Ape" | 68 | |
To the Peacock of France | 69 | |
In This Age of Hard Trying, Nonchalance Is Good And | 70 | |
To Statecraft Embalmed | 71 | |
Poetry | 72 | |
The Past Is the Present | 74 | |
Pedantic Literalist | 75 | |
"He Wrote the History Book" | 76 | |
Critics and Connoisseurs | 77 | |
To Be Liked by You Would Be a Calamity | 79 | |
Like a Bulrush | 80 | |
Sojourn in the Whale | 81 | |
My Apish Cousins | 82 | |
Roses Only | 83 | |
Reinforcements | 84 | |
The Fish | 85 | |
Black Earth | 87 | |
Radical | 90 | |
In the Days of Prismatic Color | 91 | |
Peter | 93 | |
Dock Rats | 95 | |
Picking and Choosing | 97 | |
England | 99 | |
When I Buy Pictures | 101 | |
A Grave | 102 | |
Those Various Scalpels | 103 | |
The Labors of Hercules | 105 | |
New York | 107 | |
People's Surroundings | 108 | |
Snakes, Mongooses, Snake-Charmers, and the Like | 111 | |
Bowls | 112 | |
Novices | 113 | |
Marriage | 115 | |
Silence | 124 | |
An Octopus | 125 | |
Sea Unicorns and Land Unicorns | 133 | |
Moore's Notes | 137 | |
Moore's Index | 153 | |
To an Intra-Mural Rat | 165 | |
The Wizard in Words | 167 | |
You Are Like the Realistic Product of an Idealist Search for Gold at the Foot of the Rainbow | 169 | |
A Talisman | 171 | |
to Browning | 174 | |
To Bernard Shaw: A Prize Bird | 174 | |
"Sun!" | 177 | |
To Disraeli on Conservatism | 181 | |
Is Your Town Nineveh? | 183 | |
Masks | 186 | |
To the Soul of "Progress" | 188 | |
To a Steam Roller | 190 | |
Diligence Is to Magic as Progress Is to Flight | 190 | |
George Moore | 193 | |
French Peacock | 196 | |
In This Age of Hard Trying Nonchalance Is Good, And | 198 | |
To Statecraft Embalmed | 203 | |
Poetry | 205 | |
So far as the future is concerned, "Shall not one say, with the Russian philosopher, 'How is one to know what one doesn't know?'" So far as the present is concerned | 208 | |
Pedantic Literalist | 211 | |
"He Wrote the History Book," It Said | 213 | |
Critics and Connoisseurs | 215 | |
To Be Liked by You Would Be a Calamity | 218 | |
Like a Bulrush | 221 | |
Sojourn in the Whale | 223 | |
My Apish Cousins | 225 | |
Roses Only | 228 | |
Reinforcements | 232 | |
The Fish | 234 | |
Black Earth | 237 | |
Radical | 240 | |
In the Days of Prismatic Colour | 242 | |
Dock Rats | 245 | |
Picking and Choosing | 249 | |
England | 250 | |
When I Buy Pictures | 255 | |
A Graveyard | 258 | |
Those Various Scalpels | 261 | |
The Labours of Hercules | 265 | |
New York | 267 | |
People's Surroundings | 269 | |
Snakes, Mongooses, Snake-Charmers and the Like | 274 | |
Bowls | 276 | |
Novices | 278 | |
Marriage | 284 | |
Silence | 309 | |
An Octopus | 312 | |
Sea Unicorns and Land Unicorns | 321 | |
Under a Patched Sail | 331 | |
To Come after a Sonnet | 332 | |
To My Cup-Bearer | 333 | |
The Sentimentalist | 334 | |
To a Screen-Maker | 335 | |
Ennui | 339 | |
A Red Flower | 341 | |
A Jelly-Fish | 342 | |
Progress | 343 | |
My Lantern | 344 | |
Tunica Pallio Proprior | 345 | |
My Senses Do Not Deceive Me | 346 | |
Qui S'Excuse, S'Accuse | 346 | |
Leaves of a Magazine | 347 | |
The Beast of Burden | 348 | |
Councell to a Bachelor | 349 | |
Things Are What They Seem | 351 | |
To a Man Working His Way through the Crowd | 352 | |
That Harp You Play So Well | 353 | |
Appellate Jurisdiction | 355 | |
To William Butler Yeats on Tagore | 357 | |
The North Wind to a Dutiful Beast Midway between the Dial and the Foot of a Garden Clock | 359 | |
Isaiah, Jeremiah, Ezekiel, Daniel | 360 | |
To a Friend in the Making | 361 | |
Blake | 361 | |
Diogenes | 363 | |
You Are Fire Eaters | 365 | |
Feed Me, Also, River God | 367 | |
Holes Bored in a Workbag by the Scissors | 370 | |
Apropos of Mice | 370 | |
The Just Man And | 371 | |
In "Designing a Cloak to Cloak His Designs," You Wrested from Oblivion, a Coat of Immortality for Your Own Use | 371 | |
The Past Is the Present | 372 | |
An Ardent Platonist | 375 | |
You Say You Said | 376 | |
Broom | 381 | |
Bruno's Weekly | 390 | |
The Chimaera | 400 | |
Contact | 406 | |
Contemporary Verse | 417 | |
The Dial | 422 | |
The Egoist | 438 | |
The Little Review | 450 | |
Manikin | 455 | |
Others | 466 | |
Poetry | 479 | |
Secession | 485 | |
Chronological List: First Presentations of Moore's Poems between 1907 and 1927, with Corresponding Page Numbers to this Edition | 495 | |
Acknowledgments of Permissions | 499 | |
Alphabetical Index to All Poems in This Edition | 501 |
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