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General Editor's Preface | ||
Preface | ||
I | The Barnes Controversy | 3 |
II | Biography and Survey | 11 |
III | The Major Plays | 21 |
The Ruling Class | 21 | |
Leonardo's Last Supper | 28 | |
Noonday Demons | 32 | |
The Bewitched | 34 | |
Laughter! | 40 | |
Red Noses | 47 | |
Sunsets and Glories | 55 | |
Heaven's Blessings | 64 | |
Eggs in Gravy | 74 | |
Their Theatrical Style | 83 | |
IV | Early Works | 117 |
The Man with a Feather in His Hat | 117 | |
The Time of the Barracudas | 120 | |
Sclerosis | 124 | |
Clap Hands, Here Comes Charlie (i) | 127 | |
Clap Hands, Here Comes Charlie (ii) | 132 | |
Foreshadowing and Progress | 136 | |
V | Miniatures and More | 141 |
Barnes' People | 141 | |
Confessions of a Primary Terrestrial Mental Receiver and Communicator: NUM III Mark I, The Jumping Mimuses of Byzantium, The Theory and Practice of Belly-Dancing, The End of the World - and After, Yesterday's News, Glory, Rosa | ||
Barnes' People II | 146 | |
Acting Exercise, Moondog Rogan and the Mighty Hamster, Silver Bridges, Worms, The Right Time and Place, It's Cold, Wanderer, It's Cold, Lament for Armenians and Grey Viruses | ||
Revolutionary Witness | 155 | |
The Patriot, The Butcher, The Preacher, The Amazon | ||
The Spirit of Man | 162 | |
A Hand Witch of the Second Stage, From Sleep and Shadow, The Night of the Sinhat Torah | ||
The Able Disabled | 168 | |
Nobody Here But Us Chickens, More Than a Touch of Zen, Not As Bad As They Seem | ||
Barnes' People III | 175 | |
After the Funeral, The Peace of Westphalia, The Real Long John Silver, The Heirs of Diogenes, Sisters, Dancing, The Perfect Pair, The Three Visions | ||
More Barnes' People | 182 | |
Madame Zenobia, Slaughterman, The Road to Strome, Billy and Me, Losing Myself, Houdini's Heir, A True-Born Englishman, No End to Dreaming | ||
Bye Bye Columbus | 188 | |
The Trial of Socrates | 196 | |
VI | Editings and Adaptations | 205 |
The Roles of Editor and Adapter | 205 | |
Seventeenth-Century Editings | 208 | |
The Alchemist, Volpone, Bartholomew Fair, A Chaste Maid in Cheapside, The Silent Woman, The Magnetic Lady, The Soldier's Fortune, The Atheist, The Dutch Courtesan, A Mad World, My Masters, A Trick to Catch the Old One | ||
Jacobean Adaptations | 214 | |
Antonio | 215 | |
The Devil is an Ass | 220 | |
The Old Law | 228 | |
Eastward Ho! | 234 | |
Adaptations from Foreign Languages | 241 | |
A Eulogy of Baldness, The Two Hangmen: Brecht and Wedekind, Tango at the End of Winter | 241 | |
Lulu | 246 | |
The Singer | 251 | |
Don Juan and Faust | 254 | |
The Primrose Path | 259 | |
Woman of Paris | 263 | |
Scenes from a Marriage | 265 | |
The Purging | 267 | |
Actors | 271 | |
Common Features with His Original Plays | 284 | |
VII | Turning on a Sixpence | 289 |
Notes | 293 | |
Bibliography | 305 | |
Index | 309 |
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