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Preface
Introduction: Conjunctures and concepts
1. Performance and authority in Hamlet (1603)
2. A new agenda for authority
3. Pen and voice: versions of doubleness
4. Playing with a difference
5. Histories in Elizabethan performance
6. Hamlet and the purposes of playing
7. Space (in)dividable: Locus and Platea revisited
8. Shakespeare s endings: commodious thresholds
Afterword: thresholds forever after
Notes
Index.
| Price | Condition | Delivery | Seller | Action |
| $113.00 | Digital |
| WonderClub |
Randy Rany
reviewed Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre on January 10, 2015 Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre
An informative and thought-provoking history of Shakespearean cinema. Though, in my opinion, it ultimately presents a narrow-minded view of what constitutes a good film adaptation. It doesn't totally fall into the trap of insisting there is one right interpretation of any given play, but it comes irritatingly close.
I mean, the guy called Ten Things I Hate About You forgettable.
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Add Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre, In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performanc, Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre to the inventory that you are selling on WonderClubX
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Add Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre, In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performanc, Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre to your collection on WonderClub |
