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List of Figures | vii | |
Acknowledgments | xi | |
Introduction | 3 | |
1 | A Longing for the Impossible Place: Wanda Koop's Paintings for Dimly Lit Rooms and Paintings for Brightly Lit Rooms | 18 |
2 | The Allegorical Impulse in Stephen Hutchings's Plants, Bushes, and Hedges | 46 |
3 | Speaking the Wild: The Apophatic Representation of Nature in Susan Feindel's Paintings | 73 |
4 | Cosmoville: The Unmanageable Surfaces of Eleanor Bond's Rotterdam Paintings | 106 |
Conclusion (or Beginning): Opening Up the Conversation | 142 | |
Appendix | Artists' Biographies | 151 |
Notes | 153 | |
Bibliography | 165 | |
Index | 177 |
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Add Aspiring to the Landscape: On Painting and the Subject of Nature, The idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger ord, Aspiring to the Landscape: On Painting and the Subject of Nature to the inventory that you are selling on WonderClubX
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Add Aspiring to the Landscape: On Painting and the Subject of Nature, The idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger ord, Aspiring to the Landscape: On Painting and the Subject of Nature to your collection on WonderClub |