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Acknowledgments | 7 | |
1 | Introduction: Temporal and Atemporal Authority | 11 |
2 | The Poles of Poetic Authority: Logos and Ego in Paradise Lost and The Prelude | 44 |
3 | The Archetype of Failure: Ego-centered Authority in "The Tower" | 72 |
4 | Speech without Self: Logos-centered Authority in Four Quartets | 103 |
5 | William's Unmade World: Co-extensive Authority in Paterson | 144 |
Epilogue | 206 | |
Notes | 209 | |
Works Cited | 226 | |
Index | 231 |
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Add Approaching authority, This study, using the example of Yeats, Eliot, and Williams, examines the principal gestures of Modernist poetic speakers attempting to identify, mediate, and project cultural authority. To effect this mediation, the poetic speakers must engage in transp, Approaching authority to the inventory that you are selling on WonderClubX
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Add Approaching authority, This study, using the example of Yeats, Eliot, and Williams, examines the principal gestures of Modernist poetic speakers attempting to identify, mediate, and project cultural authority. To effect this mediation, the poetic speakers must engage in transp, Approaching authority to your collection on WonderClub |