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Acknowledgments | ||
Introduction: Charting the Terrain | ||
I | People of the Book | |
II | Double Standards | |
III | Crossing Borders | |
IV | Europe and the Middle East | |
V | Language and Cultural Difference | |
VI | Nativity and Exile | |
VII | Reimagining History | |
1 | Discontinued Lines: Drafts for an Itinerary | |
I | Militant Archeology: Dispossessing Native Jews | |
II | Gazing at Palestine: Yosef Haim Brenner and Albert Antebbi | |
III | 1938: Beirut to Jerusalem via Damascus/An Itinerary for Edmond Jabs | |
IV | Cairo: From Umm Kulthum to Nawal Saadawi | |
V | Discourses of the City | |
VI | Beirut: Setting the Standards | |
VII | Beirut and the Poetics of Disaster | |
VIII | Jerusalem and the Crusader Man | |
IX | Jerusalem: The Islamic City | |
X | Turning the Page: Back to Damascus | |
2 | A Garden Enclosed: The Geography of Time | |
I | Traveling through Glass Walls: Defining the Levant | |
II | S. D. Goitein and the Geniza World | |
III | Cities and Texts | |
IV | The Common Currency of Verse | |
V | Dunash Ben Labrat and Classical Sephardic Poetry | |
VI | Yehuda al-Harizi and Old Metaphors | |
VII | The Scarlet Thread of Song: From Samuel Hanagid to Yehezkel Hai Albeg | |
VIII | The Spanish Inquisition and Jewish Humanism | |
IX | Missing Pages: Women's Poetry in the Levant | |
3 | History's Noise: The Beginning of the End | |
I | Colonialism and Literary Forms | |
II | Traveling in Time: Mordekhai HaKohen and Nahum Slouschz | |
III | Yitzhaq Shami, Yehuda Burla, and the Hebrew Novel | |
IV | Keys to the Garden: Albert Cohen and the Levantine Novel | |
V | The Alphabet of Nightmare | |
4 | Postscript: "To end, to begin again" | |
I | 1948: The End of an Era | |
II | New Hebrew: Language and Ideology | |
III | The New Order | |
IV | Shimeon Ballas, Sami Mikhael, and the New Israeli Novel | |
V | Israel/Palestine and the New Levant | |
VI | Recreating Memory: Alexandria and Baghdad in Israel | |
VII | Reclaiming Nativity: The Poetry of Shelley Elkayam, Ronny Someck, Tikva Levi, and Sami Shalom Chetrit | |
VIII | Anton Shammas and Israeli Hebrew as the Language of Exile | |
IX | Envisioning a Future: The Covenant of Sarah and Hagar | |
Notes | ||
Index |
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Add After Jews and Arabs: Remaking Levantine Culture, Besides grounding Middle Eastern literary studies in ongoing theoretical debates, and also serving as a wide-ranging introduction to inaccessible and neglected literature, After Jews and Arabs will compel a revision of Jewish studies by placing contempora, After Jews and Arabs: Remaking Levantine Culture to the inventory that you are selling on WonderClubX
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Add After Jews and Arabs: Remaking Levantine Culture, Besides grounding Middle Eastern literary studies in ongoing theoretical debates, and also serving as a wide-ranging introduction to inaccessible and neglected literature, After Jews and Arabs will compel a revision of Jewish studies by placing contempora, After Jews and Arabs: Remaking Levantine Culture to your collection on WonderClub |