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Introduction | ||
I | "To be in any form, what is that?" : the reaction to Walt Whitman's new prosody | 1 |
II | Feudal but free-bound : the early poems and the forward prosody of the first edition of Leaves of grass | 23 |
III | Sex-prosody : early poems of the body and desire in "Children of Adam," "Calamus," and later works on copulation | 45 |
IV | The poetic noise of war : sound-patterns in "Drum-taps" | 67 |
V | A walking and sea-drifting rhythm | 91 |
VI | Full circle : the conventional metrics of Whitman's post-war poems | 109 |
VII | Envoi | 131 |
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Add A study of Walt Whitman's mimetic prosody, Martin (English, Indiana State U.) examines the sounds of Whitman's work to better finds its sense. He explains modern and contemporary reactions to Whitman's poetry in terms of how critics understood his perception of the aural and the oral, his manipula, A study of Walt Whitman's mimetic prosody to the inventory that you are selling on WonderClubX
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Add A study of Walt Whitman's mimetic prosody, Martin (English, Indiana State U.) examines the sounds of Whitman's work to better finds its sense. He explains modern and contemporary reactions to Whitman's poetry in terms of how critics understood his perception of the aural and the oral, his manipula, A study of Walt Whitman's mimetic prosody to your collection on WonderClub |