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A History of Pain: Trauma in Modern Chinese Literature and Film Book

A History of Pain: Trauma in Modern Chinese Literature and Film
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A History of Pain: Trauma in Modern Chinese Literature and Film, The portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, films such as Hou Hsiao-hsien's City of , A History of Pain: Trauma in Modern Chinese Literature and Film
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  • A History of Pain: Trauma in Modern Chinese Literature and Film
  • Written by author Berry, Michael
  • Published by Columbia University Press, 5/10/2011
  • The portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, films such as Hou Hsiao-hsien's City of
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AcknowledgmentsIntroductionPrelude: A History of PainPart I: Centripetal Trauma1. Musha 19302. Nanjing 19373. Taipei 1947Part II: Centrifugal Trauma4. Yunnan 19685. Beijing 1989Coda: Hong Kong 1997BibliographyFilmographyIndex

Columbia University Press


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A History of Pain: Trauma in Modern Chinese Literature and Film, The portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, films such as Hou Hsiao-hsien's <i>City of , A History of Pain: Trauma in Modern Chinese Literature and Film

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A History of Pain: Trauma in Modern Chinese Literature and Film, The portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, films such as Hou Hsiao-hsien's <i>City of , A History of Pain: Trauma in Modern Chinese Literature and Film

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A History of Pain: Trauma in Modern Chinese Literature and Film, The portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, films such as Hou Hsiao-hsien's <i>City of , A History of Pain: Trauma in Modern Chinese Literature and Film

A History of Pain: Trauma in Modern Chinese Literature and Film

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