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Pop-culture, private memory, and formalist sensibility meet in David Trinidad's long-awaited new collection.
Reading The Late Show…is like watching 12 hours of 1960s network TV, including the commercials, in the company of a very smart, very gossipy friend…Trinidad's style is casual and chatty, but not formally slack. An anecdotal elegy for James Schuyler turns out to be a line-for-line imitation of Schuyler's own "Wystan Auden." This technical rigor allows Trinidad to be garrulous and unguarded without seeming self-indulgent. But his most impressive gift is an ability to dignifiy the dross of American life, to honor both the shrink-wrapped sentiment of the cultural artifacts he writes about and his own much more complicated emotional response to them.
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