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Book Categories |
Building a play : sources and contexts | 4 | |
The usual suspects : Ariosto and Bandello | 5 | |
Shakespeare's transformations of his sources : the creation of a social world | 11 | |
The maid | 13 | |
'How many gentlemen?' | 14 | |
The villain | 17 | |
The lover | 19 | |
Beyond the plot | 22 | |
Denouement | 23 | |
Dialogue and debate forms | 26 | |
Sexual stereotypes | 28 | |
Disdain | 33 | |
Modifications of type | 34 | |
Chaste, silent and obedient | 38 | |
Hero | 41 | |
Cuckolds | 43 | |
Structure and style | 50 | |
'The course of true love' | 51 | |
Two plots? | 58 | |
Style | 62 | |
Prose and the prosaic | 63 | |
Euphuism | 65 | |
Verbal handshakes | 70 | |
'The even road of a blank verse' | 74 | |
Image patterns | 75 | |
Songs | 76 | |
Staging Much ado | 78 | |
Tonal choices | 80 | |
Social representations | 84 | |
Choice of place and time | 98 | |
Cultural moment | 102 | |
Afterlives | 108 | |
Origins | 110 | |
Criticism | 119 | |
Text | 125 | |
First impressions | 125 | |
Making a book | 128 | |
Who's in, who's out | 133 | |
Who gets to say what? | 140 | |
Much ado about nothing | 145 | |
App | Casting chart | 319 |
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