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List of illustrations | ix | |
General editors' preface | xi | |
Preface | xv | |
Introduction | 1 | |
A play for the stage | 5 | |
The politics of adaptation on the English stage | 11 | |
3 Henry VI on the screen and around the globe | 33 | |
The first critical question: single authorship or collaboration? | 44 | |
Moral criticism | 49 | |
Character criticism | 64 | |
Henry | 68 | |
Richard | 75 | |
Historical criticism: determining sources | 81 | |
Historical criticism: establishing context | 95 | |
Psychoanalytic criticism | 113 | |
New criticism | 117 | |
Performance criticism | 135 | |
Feminist criticism | 140 | |
The texts of The True Tragedy and 3 Henry VI | 148 | |
O (1595) | 149 | |
Q2 (1600) | 151 | |
Q3 (1619) | 152 | |
F1 (1623) | 156 | |
Origins of The True Tragedy | 159 | |
Origins of 3 Henry VI | 166 | |
Conclusions | 175 | |
King Henry VI, Part Three | 177 | |
Appendices | ||
1 | The Octavo (1595) | 369 |
2 | Casting | 410 |
3 | The battles in 3 Henry VI | 421 |
4 | Genealogical tables | 424 |
Abbreviations and references | 428 | |
Abbreviations used in notes | 428 | |
Shakespeare's works and works partly by Shakespeare | 429 | |
Editions of Shakespeare collated | 430 | |
Other works | 431 | |
Index | 453 |
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