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| Acknowledgements | ||
| Notes on Contributors | ||
| 1 | Introduction: Ethnicity, Identity and Music | 1 |
| 2 | Thoughts on Celtic Music | 29 |
| 3 | The Role of Music in the Creation of an Afghan National Identity, 1923-73 | 45 |
| 4 | National Anthems: The Case of Chopin as a National Composer | 61 |
| 5 | Macunaima's Music: National Identity and Ethnomusicological Research in Brazil | 71 |
| 6 | Place, Exchange and Meaning: Black Sea Musicians in the West of Ireland | 97 |
| 7 | Identity, Place and the 'Liverpool Sound' | 117 |
| 8 | 'The Land is Our Marr (Essence), It Stays Forever': The Yothu-Yindi Relationship in Australian Aboriginal Traditional and Popular Musics | 135 |
| 9 | Personal and Collective Identity in Kalasha Song Performance: The Significance of Music-making in a Minority Enclave | 157 |
| 10 | Music, Literature and Etiquette: Musical Instruments and Social Identity from Castiglione to Austen | 189 |
| Index | 207 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Deryck Hartford
reviewed Ethnicity, Identity and Music: The Musical Construction of Place on September 19, 2012
Ethnicity, Identity and Music: The Musical Construction of Place
I've turned to this book time and again...as a voice teacher I've used it to help me know the origins and thoughts behind the songs written by the composer. It's fun to read the dual-language version and see things in the original French (but have the comfort of a really good English translation side-by-side). I love Poulenc's songs, and I appreciate this great resource book for singers and singing teachers.
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