ICOM-CC 14th Triennial Meeting Preprints Book

	The art of conservation : an exhibition	3
	EROS : an open source database for museum conservation restoration
	Page-image recipe databases, a new approach for accessing art technological manuscripts and rare printed sources : the Winsor & Newton archive prototype	24
	Two-dimensional multi-spectral digitization and three-dimensional modelling of easel paintings
	Three-dimensional modelling of archaeological objects for conservation, visualisation, colour and shape characterization : comparison of details	43
	Using an ontology for interoperability and browsing of museum, library and archive information	52
	Multimedia franco-japonais : Les Apotres de Georges de La Tour	58
	Three-dimensional imaging : a tool for all aspects of visual documentation in conservation	59
	The development of competencies at the Canadian Conservation Institute	63
	Educating conservators for lifelong commitment	69
	Minding the gaps : recognizing and responding to learning failure in professional education and development	75
	Kuikuro and Karaja techniques for gathering, processing, and using plant materials	83
	Case studies in pesticide identification at the National Museum of the American Indian	89
	First person voice : Native communities and conservation consultations at the National Museum of the American Indian	96
	A study of the materials and techniques of two Dayak longhouse models	103
	Decontamination of ethnological objects with supercritical carbon dioxide	110
	Decisions on the restoration of a Trobriand yam storehouse : the 'decision making model for the conservation and restoration of modern art' applied to an ethnographic object	120
	Preliminary results from a survey for residual arsenic on the North American ethnographic collections at The Field Museum, Chicago	127
	Conservation of Marind-anim 'dema' costumes	127
	A collection of ceramics damaged by acetate salts : conservation and investigation into the causes	131
	Understanding glass deterioration in museum collections : a multi-disciplinary approach	139
	The use of computer-match colour prediction in the restoration of ceramics	146
	Technological study of pigments and paints on archaeological ceramics from the northwestern Argentine region : an archaeometrical approach and implications for conservation	154
	Glass lantern slides : deterioration and conservation	154
	Quality control of mass deacidification of library and archival holdings	157
	Application of immobilized enzymes for the paper-splitting process	166
	Du laboratoire au musee, vers une identification des materiaux graphiques : les materiaux noirs	174
	X-ray diffraction analysis of parchment : applications to manufacture, conservation and restoration	180
	Antioxidants for stabilization of iron gall ink corrosion	186
	Conservation of biodeteriorated ancient documents and paper consolidation by plasma treatments	193
	Damage assessment of parchment : complexity and relations at different structural levels
	Photo-induced degradation of cellulose	209
	Difficult decisions in the conservation of 'The book of curiosities', a 13th century Islamic manuscript	215
	Consolidation of white chalk with aerosols	223
	Review of practices for aqueous paper deacidification	231
	Spot tests to paper manuscripts dated from 1250 to 1500	238
	Comparative study of environmental ageing-related changes in parchments by calorimetry and electron microscopy	238
	Enzyme application in wallpaper conservation	239
	New paper conservation approaches in Romania	239
	The study of application of lipase from Pseudomonas mendocina for removal of fat spots from paper	240
	Czech cardboard for the protection and storage of library collections : physico-mechanical and protective properties	240
	Fabulous beasts - leather, silk and gold : recent research on and conservation of 12th century footwear from the episcopal tombs in the Treves Cathedral	243
	Leather spue : a problem with lubricants	249
	Bookbinding leather in the paper deacidification process : Part I : analytical investigation of the leather	255
	Dilemmas and solutions on the conservation treatments of three gilt leather rooms in The Netherlands	263
	Use of some techniques in the investigation and conservation of a bookbinding	270
	Selection d'un cui de tannage vegetal destine a des traitements de conservation sur des livres anciens	270
	Etude comparative de trois methodes de mise au ton du cuir neuf utilisees en restauration	271
	Research into a safe method to extract excess lubricants from leather : a preliminary report	271
	Une assise juridique proposee pour une demarche communautaire de protection, rapatriement et transmission des biens culturels patrimoniaux des premieres nations du Quebec	276
	Partenariat / la solution au trafic illicite d'oeuvres d'art : (Conclusion du projet pilote 2003-2005 de la police nationale du Quebec)	282
	The impact of artists' moral rights legislation on conservation practice in the United Kingdom and beyond	285
	Problems in stabilizing historic iron-bladed weapons displayed in an uncontrolled environment in the Criminal Museum of Athens, Greece	293
	Electrochemical monitoring of the storage or stabilization of archaeological copper-based artifacts in sodium sesquicarbonate solutions	301
	A new corrosion mechanism for iron shipwrecks in seawater : a study of the Fujikawa Maru (1944) in Chuuk Lagoon, Federated States of Micronesia	310
	Preliminary study of the morphology of corrosion developing on historic steel armour artifacts from the Palace Armoury Collection, Valletta, Malta	317
	New alternatives for the conservation of metal artwork in humid-tropical climates	326
	We wish to be gold : the golden embroideries : scientific investigation of metallic threads	326
	Reproducing Morris Louis paintings to evaluate conservation strategies	329
	The 'Aeromodeller OO-PL'; the conservation of a PVC balloon	335
	'Pesce, polyurethane and what happens today' : results from the AXA Art Conservation Project in cooperation with the Vitra Design Museum	343
	Ageing studies of acrylic emulsion paints : Part II : comparing formulations with poly(EA-co-MMA) and poly(n-BA-co-MMA) binders	350
	Storing plastics in the cold : more harm than good?	358
	To replace or not to replace? : photographic material in site-specific conceptual art	365
	Micro-environmental study of lichen invasion at a Ngunnawal Aboriginal rock art site in the eastern Australian sub-alpine region	373
	Microbial communities inhabiting caves with Paleolithic paintings	381
	Effects of moisture, micronutrient supplies and microbiological activity on the surface pH of rocks in the Burrup Peninsula	386
	La Cueva de las Ventanas en la zona arqueologica de Cuarenta Casas, Chihuahua : Un trabajo interdisciplinario de conservacion	394
	Conservation and research in the archaeological Maya site of Ek'Balam at the Yucatan Peninsula : an extensive project on stucco decor and mural painting preservation	402
	Moisture instability in loosely bound pigmented surfaces	409
	Conservacion de la Pintura mural de las Capillas Familiares de San Miguel Ixtla, Guanajuato : ejemplo de proyecto integral de conservacion con comunidades	416
	Mural painting and religious colonial architecture in Colombia : a problem of presentation	424
	An anatomical collection dissected : practical implementation of a national de-accessioning project	427
	Practical application of the revolutionary preservation (RP) system for marcasite	435
	The 'format question' in Hodler's work	446
	Rejuvenating the appearance of Seurat's A Sunday on La Grande Jatte - 1884 using colour and imaging science techniques : a simulation	452
	Comparison of the fading and surface deterioration of red lake pigments in six paintings by Vincent van Gogh with artificially aged paint reconstructions	459
	Spare parts : dilemmas in contemporary painting	467
	Van Gogh's use of the perspective frame in his Paris paintings	473
	Malachite pigment of spherical particle form	480
	Changing properties of the asphalt- and oil-derived components in asphalt-oil paints prepared according to 19th century recipes	489
	Chemical changes in old master paintings II : darkening due to increased transparency as a result of metal soap formation	496
	Polynomial texture mapping : a new tool for examining the surface of paintings	504
	The whitening of oil paint films containing bone black	511
	'A perfect ground is the very soul of the art' (Kingston 1835) : ground recipes for oil painting, 1600-1900	519
	The impact of water on artists' acrylic paint	529
	Orpiment overlooked : expect the unexpected in 17th century workshop practice	529