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Acknowledgments
1. Introduction: Gender, Power, and Performance
2. Dance and Nationalism in the Independence Movement
3. Dance and Social Control During Banda’s Presidency
4. Dance, the Transition to Multipartyism, and Patronage
5. Power and Performance in Political Rallies
6. Why Do Women Dance?
7. Gendering Democracy
8. Gender at the Intersection of Politics, Democratization, and Tradition
Appendix A: Brief Timeline of Malawi’s Recent Po liti cal History
Appendix B: People Interviewed
Appendix C: Political Functions Attended and Referenced
Appendix D: Associated Multimedia Websites
References
Index
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Michael Baca
reviewed The Dance of Politics: Gender, Performance, and Democratization in Malawi on March 30, 2016
The Dance of Politics: Gender, Performance, and Democratization in Malawi
Tommy Sands and his songs have often been voices of peace amidst anger, and healing amidst conflict, in places from Belfast to Sarajevo to the Middle East.
In addition to his songs, Sands has written a book about his life, called Songman. Though it does indeed talk some of his travels, the most vivid parts of his narrative have to do with his early days in Rostrevor in County Down, his choices as a young man to follow music rather than violence, and his work following music and working for peace in Northern Ireland.
This is an excerpt from a longer story -- which also includes thoughts on Sands' music -- at A Traveler's Library. To read more, please visit
Destination: County Down, Northern Ireland
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