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Representing the Past: Essays in Performance Historiography Book

Representing the Past: Essays in Performance Historiography
Representing the Past: Essays in Performance Historiography, How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in <i>Representing the Past: Essays in Performance Historiography</i> focus on the fundamental epistemological conditions and proc, Representing the Past: Essays in Performance Historiography has a rating of 3.5 stars
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Representing the Past: Essays in Performance Historiography, How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in Representing the Past: Essays in Performance Historiography focus on the fundamental epistemological conditions and proc, Representing the Past: Essays in Performance Historiography
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  • Representing the Past: Essays in Performance Historiography
  • Written by author Charlotte M. Canning
  • Published by University of Iowa Press, October 2010
  • How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in Representing the Past: Essays in Performance Historiography focus on the fundamental epistemological conditions and proc
  • How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in Representing the Past: Essays in Performance Historiography focus on the fundamental epistemological conditions and
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Authors

Acknowledgments

Representing the Past: An Introduction on Five Themes Charlotte M. Canning Canning, Charlotte M. 1

SECTION ONE ARCHIVE

Playbills and the Theatrical Public Sphere Christopher B. Balme Balme, Christopher B. 37

The Making of Theatre History Susan Bennett Bennett, Susan 63

Writing the Unwritten: Morris Dance and Theatre History Claire Sponsler Sponsler, Claire 84

SECTION TWO TIME

Cyclic Perseverance and Linear Mobility of Theatrical Events Willmar Sauter Sauter, Willmar 117

Performative Time Tracy C. Davis Davis, Tracy C. 142

Representing India's Pasts: Time, Culture, and the Problems of Performance Historiography Aparna Dharwadker Dharwadker, Aparna 168

SECTION THREE SPACE

Space and Theatre History Marvin Carlson Carlson, Marvin 195

Seeing Is Believing: The Historian's Use of Images David Wiles Wiles, David 215

When "Everything Counts": Experimental Performance and Performance Historiography Shannon Jackson Jackson, Shannon 240

SECTION FOUR IDENTITY

History's Thresholds: Stories from Africa Catherine M. Cole Cole, Catherine M. 263

The High Stakes of Identity: Lorraine Hansberry's Follow the Drinking Gourd and Suzan-Lori Parks's Venus Harry J. Elam, Jr. Elam, Harry J., Jr. 282

Fifty Years of Staging a Founding Father: Political Theatre, Dramatic History, and the Question of Representation in Modern China Xiaomei Chen Chen, Xiaomei 303

SECTION FIVE NARRATIVE

Textual Evidances Susan Leigh Foster Foster, Susan Leigh 333

Narratives of Nostalgia: Oriental Evasions about the London Stage Brian Singleton Singleton, Brian 351

Reenacting Events to Narrate Theatre History Bruce McConachie McConachie, Bruce 378

Notes on Contributors 405

Index 409


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