"Here, There and Everywhere": The Foreign Politics of American Popular Culture Book

	Acknowledgments
	Here, There, and Everywhere: Introduction	1
Pt. I	Background
	First Steps toward Globalization: Nineteenth-Century Exports of American Entertainment Forms	17
	The Americanization of South Africa	34
	No Innocents Abroad: The Salzburg Impetus and American Studies in Europe	64
Pt. II	The World of Hollywood
	Selling America via the Silver Screen? Efforts to Manage the Projection of American Culture Aborad, 1942-1947	83
	Dreams in a Dictatorship: Hollywood and Franco's Spain, 1939-1956	100
	Invasion and Counterattack: Italian and American Film Relations in the Postwar Period	116
	Programmed for Domination: U.S. Television Broadcasting and Its Effects on Nigerian Culture	132
Pt. III	Rock, Rap, and All That Jazz
	Jammin' on the Champs-Elysees: Jazz, France, and the 1950s	149
	"Satchmo Blows Up the World": Jazz, Race, and Empire during the Cold War	163
	Swingin' under Stalin: Russian Jazz during the Cold War and Beyond	179
	Rock 'n' Roll in the German Democratic Republic, 1949-1961	192
	How Hip Hop Hit Heidelberg: German Rappers, Rhymes, and Rhythms	207
Pt. IV	The Empire Strikes Back
	Cultural Transformation of John Philip Sousa and Disneyland in Japan	219
	Consumption of American Pop Culture in Ireland and England	227
	Backlash: An Argument against the Spread of American Popular Culture in Turkey	242
	German Unification as Self-Inflicted Americanization: Critical Views on the Course of Contemporary German Development	251
Pt. V	Contemporary Issues
	Advertising: The Commodification of American Icons of Freedom	273
	New Lords of the Global Village? Theories of Media Domination in the Internet Era	288
	Encartafication or Emancipation: The Internet as the New American Frontier?	309
	Contributors	329
	Index	333