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The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy Book

The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy
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The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy, Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, expressionist film, has been taken as synonymous with the cinema of the entire , The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy
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  • The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy
  • Written by author Christian Rogowski
  • Published by Boydell & Brewer, Limited, 12/15/2011
  • Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire
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Authors

List of Illustrations

Preface

Introduction: Images and Imaginaries Christian Rogowski Rogowski, Christian 1

1 Richard Oswald and the Social Hygiene Film: Promoting Public Health or Promiscuity? Jill Suzanne Smith Smith, Jill Suzanne 13

2 Unsettling Nerves: Investigating War Trauma in Robert Reinert's Nerven (1919) Barbara Hales Hales, Barbara 31

3 Humanity Unleashed: Anti-Bolshevism as Popular Culture in Early Weimar Cinema Philipp Stiasny Stiasny, Philipp 48

4 Desire versus Despotism: The Politics of Sumurun (1920), Ernst Lubitsch's "Oriental" Fantasy Richard W. McCormick McCormick, Richard W. 67

5 Romeo with Sidelocks: Jewish-Gentile Romance in E. A. Dupont's Das alte Gesetz (1923) and Other Early Weimar Assimilation Films Cynthia Walk Walk, Cynthia 84

6 "These Hands Are Not My Hands": War Trauma and Masculinity in Crisis in Robert Wiene's Orlacs Hande (1924) Anjeana Hans Hans, Anjeana 102

7 The Star System in Weimar Cinema Joseph Garncarz Garncarz, Joseph 116

8 Schaulust: Sexuality and Trauma in Conrad Veidt's Masculine Masquerades Elizabeth Otto Otto, Elizabeth 134

9 The Musical Promise of Abstract Film Joel Westerdale Westerdale, Joel 153

10 The International Project of National(ist) Film: Franz Osten in India Veronika Fuechtner Fuechtner, Veronika 167

11 The Body in Time: Wilhelm Prager's Wege zu Kraft und Schonheit (1925) Theodore F. Rippey Rippey, Theodore F. 182

12 Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror Valerie Weinstein Weinstein, Valerie 198

13 The Dialectic of (Sexual) Enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928) Christian Rogowski Rogowski, Christian 211

14 Babel's Business ---On Ufa's Multiple Language Film Versions, 1929-1933 Chris Wahl Wahl, Chris 235

15 "A New Era of Peace and Understanding": The Integration of Sound Film into German Popular Cinema, 1929-1932 Ofer Ashkenazi Ashkenazi, Ofer 249

16 Landscapes of Death: Space and the Mobilization Genre in G. W. Pabst's Westfront 1918 (1930) Jaimey Fisher Fisher, Jaimey 268

17 Undermining Babel: Victor Trivas's Niemandsland (1931) Nancy P. Nenno Nenno, Nancy P. 286

18 Unmasking Brigitte Helm and Marlene Dietrich: The Vamp in German Romantic Comedies (1930-33) Mihaela Petrescu Petrescu, Mihaela 299

Filmography 317

Notes on the Contributors 329

Index 333


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The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy, Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, expressionist film, has been taken as synonymous with the cinema of the entire , The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy

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The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy, Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, expressionist film, has been taken as synonymous with the cinema of the entire , The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy

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The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy, Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, expressionist film, has been taken as synonymous with the cinema of the entire , The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy

The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy

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