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Book Categories |
Introduction | 1 | |
Preface | 3 | |
Chapter 1 | The Development of the Stanislavsky System, 1906-1990 | 7 |
The Initial Stage of the Development of the System | 8 | |
The Beginning of the Method of Physical Actions | 10 | |
Stanislavsky's Latest Discovery | 13 | |
The New Method Is Introduced into Theatre Practice | 15 | |
The Political Campaign Against the New Method | 17 | |
Post-Stanislavsky Development of the New Method | 19 | |
Chapter 2 | Stage Action | 23 |
Example 1 | The Old Uncle | 24 |
The Characters' Conflict and Stage Actions | 25 | |
Example 2 | The Colonel | 26 |
Example 3 | The Interview | 28 |
Example 4 | The Girlfriends | 29 |
Example 5 | The Jewels | 31 |
The Focal Point of a Conflict | 32 | |
Communion on the Stage | 33 | |
The Actor's Adjustments | 33 | |
Action and Activity | 34 | |
Chapter 3 | Elements of Acting Technique | 37 |
Energy | 38 | |
Example: A Shocking Accident | 41 | |
Energy Exercises | 44 | |
The Object | 48 | |
Emotional Memory | 50 | |
Entering the Stage | 51 | |
The Actor's Attention On-stage | 52 | |
Chapter 4 | Structuring the Play | 53 |
Subdividing a Play into Events | 53 | |
Event One | 54 | |
Event Two | 58 | |
Event Three | 59 | |
Event Four | 60 | |
Event Five | 62 | |
On the Character's Position in a Conflict | 63 | |
Possible Types of Conflicts in an Event | 64 | |
The Concept of the Superobjective | 64 | |
Chapter 5 | Work on a Monology | |
Monology of Natalya Petrovna from A Month in the Country | 69 | |
Monology of the King from Hamlet, Prince of Denmark | 71 | |
Monolog of Podkolesin from The Marriage | 73 | |
Chapter 6 | The Actor's Training | 77 |
Training in the Workshop Environment | 80 | |
Refining an Improvisation to the Point of a Finished Scene | 87 | |
Individual Exercises at Home | 89 | |
Epilogue: The Actor's Transformation | 93 | |
Acknowledgments | 95 | |
Notes | 97 | |
Bibliography | 101 | |
Index | 103 | |
About the Authors | 105 |
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Add The Stanislavsky Secret: Not a System, Not a Method but a Way of Thinking, Everyone in theatre knows his name -- Stanislavsky ... but only a few know his last teachings. He didn't write them down; only his colleagues and their pupils learned his final discoveries. In rehearsal rooms and classrooms since 1938, leading Soviet and , The Stanislavsky Secret: Not a System, Not a Method but a Way of Thinking to the inventory that you are selling on WonderClubX
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Add The Stanislavsky Secret: Not a System, Not a Method but a Way of Thinking, Everyone in theatre knows his name -- Stanislavsky ... but only a few know his last teachings. He didn't write them down; only his colleagues and their pupils learned his final discoveries. In rehearsal rooms and classrooms since 1938, leading Soviet and , The Stanislavsky Secret: Not a System, Not a Method but a Way of Thinking to your collection on WonderClub |