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Book Categories |
| Foreword | 9 | |
| The Impact of Race on Theatre | 11 | |
| Ghetto Art and Energy | 13 | |
| Searching for Brothers Kindred - Rhythm & Blues of the Fifties | 41 | |
| Jazz | 57 | |
| Breaking the Rules - Educational Ethics and Ethnicity | 67 | |
| On Producing James Brown in Liberia | 73 | |
| On Tour in Africa: Zora Neale Hurston | 81 | |
| At the Berlin Wall | 91 | |
| The African American Theatre of Tomorrow | 95 | |
| Beyond New York - Touring and the LORT | 101 | |
| Celebrating Black Women | 105 | |
| Playwrights | ||
| The Restructuring of Lorraine Hansberry's A Raisin in the Sun | 117 | |
| Lorraine Hansberry's Children - Black Artists and A Raisin in the Sun | 125 | |
| Baraka at the Millenium | 129 | |
| Come By Bullins | 133 | |
| Remembering Langston Hughes | 137 | |
| For Shauneille Perry | 145 | |
| Gwendolyn Brooks | 147 | |
| Miss P. J. Gibson | 149 | |
| Laurence Holder | 151 | |
| The Plays of Ron Milner | 155 | |
| Festivals | ||
| National Black Theatre Festival - African Heritage and Kinship | 163 | |
| The Impact of Race on Two Cultural Festivals in Atlanta | 171 | |
| The Eleventh Biennial Theatre Communications Group Conference | 183 | |
| Woza Afrika! Festival, Sarafina! and the Plays of Soyinka | 193 | |
| Letters | ||
| Women's Wear Daily Critiques Black Theatre | 205 | |
| What Are Black Artists and Dramatists to Do? | 207 | |
| Casting Miss Saigon in a Bad Light | 209 | |
| In Response to John Simon's "Black and Blue" | 211 | |
| Left Out in London | 213 | |
| Appendices | ||
| Shades of Harlem in Japan | 217 | |
| A Black Henry VIII at the Public Theatre | 225 | |
| Directing at the Crossroads | 237 | |
| Management | 243 | |
| Thirty-Three Years of Production | 249 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Erica Vino
reviewed The Impact of Race: Theatre and Culture on July 31, 2011
The Impact of Race: Theatre and Culture
In the course of teaching high school sophomores for thirty years, I have read Julius Caesar more than thirty times, and I never grow tired of its richness of detail or the complexity of its characters. Almost every year, I end up asking myself the same simple question--"Whom do I like better? Cassius or Brutus?"--and almost every year my answer is different from what it was the year before.
On one hand, we have Cassius, the selfish, manipulative conspirator who, after the assassination, shows himself to be an impulsive, loyal friend and an able politician, and, on the other hand, Brutus, the conscientious intellectual and lover of the republic who becomes, under the weight of his guilt, an irritatingly scrupulous moralist and an inept general more concerned with reputation than success. And then of course there is Antony: brilliant, vicious, unscrupulous, and ultimately as unknowable as a tornado.
This is a great play about politics and human character.
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Add The Impact of Race: Theatre and Culture, (Applause Books). Here is a major work by a contemporary American artist at the top of his game. Woodie King, Jr.'s book is an impassioned stand against racism, sexism and classism in theatre and culture. King has been an active producer and director in t, The Impact of Race: Theatre and Culture to the inventory that you are selling on WonderClubX
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Add The Impact of Race: Theatre and Culture, (Applause Books). Here is a major work by a contemporary American artist at the top of his game. Woodie King, Jr.'s book is an impassioned stand against racism, sexism and classism in theatre and culture. King has been an active producer and director in t, The Impact of Race: Theatre and Culture to your collection on WonderClub |
