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| Preface | ||
| The Tempest | 3 | |
| A Note on the Text | 78 | |
| Sources and Contexts | ||
| Magic and Witchcraft | 85 | |
| [Medea] | 85 | |
| Oration on the Dignity of Man | 86 | |
| [Friar Bacon's Magical Exploits] | 88 | |
| [An English Conjuror on the High Seas] | 89 | |
| [How to Enclose a Spirit] | 89 | |
| Politics and Religion | 91 | |
| Isaiah XXIX | 91 | |
| Virginia's Verger | 93 | |
| [Master Strokes of State] | 95 | |
| Geography and Travel | 97 | |
| Primaleon of Greece | 97 | |
| [A Mediterranean Storm] | 99 | |
| A Map of Tunis and Carthage | 101 | |
| [A Voyage to the Patagonians] | 102 | |
| [An Atlantic Storm] | 105 | |
| [The Cannibals of Brazil] | 107 | |
| [Storms and Strife in Bermuda] | 110 | |
| The Seaman's Dictionary | 115 | |
| Criticism | ||
| [The Character of Caliban] | 119 | |
| [The Magic of The Tempest] | 119 | |
| Notes on The Tempest | 121 | |
| Shakespeare's Treatment of the Marvellous | 125 | |
| [Some Notes on The Tempest] | 127 | |
| [Surrendering to The Tempest] | 131 | |
| Shakespeare's Final Period | 134 | |
| [Prospero's Lonely Magic] | 137 | |
| A Chart of Shakespeare's Dramatic Universe | 141 | |
| [Art vs. Nature] | 142 | |
| A Monster, a Child, a Slave | 148 | |
| Prospero, Agrippa, and Hocus Pocus | 168 | |
| Music, Masque, and Meaning in the Tempest | 187 | |
| Prospero's Wife | 201 | |
| Shakespeare's Virginian Masque | 215 | |
| Prospero and Caliban | 233 | |
| The Tempest's Tempest at Blackfriars | 250 | |
| Conquering Islands: Contextualizing The Tempest | 265 | |
| The Blue-Eyed Witch | 286 | |
| Rewritings and Appropriations | ||
| Drama and Film | ||
| The Sea Voyage | 301 | |
| The English Traveller | 305 | |
| The Enchanted Island | 308 | |
| The Mock-Tempest | 312 | |
| Raising the Wind | 315 | |
| A Tempest | 321 | |
| Prospero's Books | 325 | |
| Poems | ||
| With a Guitar. To Jane | 332 | |
| Caliban upon Setebos; or Natural Theology in the Island | 335 | |
| At the Top | 337 | |
| The Spirit Ariel | 338 | |
| By Avon River | 339 | |
| Snapshots of Caliban | 342 | |
| Calypso for Caliban | 343 | |
| Go Ariel | 347 | |
| Ariel Freed | 348 | |
| Setebos | 349 | |
| Selected Bibliography | 351 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Kevin Flowers
reviewed The Tempest (Applause First Folio Editions) on May 12, 2007 The Tempest (Applause First Folio Editions)
Simple yet profound, The Tempest is a heartbreakingly sincere piece of elaborate theatrical artifice. Shakespeare is a magician at the height of his powers, so accomplished at his craft that he can reveal the mechanisms of his most marvelous tricks and still astonish us.
This time through, I was struck by how closely references to language, freedom, power and transformation are bound up together, and how they all seem to point to some metaphysical resolution, even if they don't finally achieve it. But perhaps--by the power of Prospero's staff-- they do?
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