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Tell-All Book

Tell-All
Tell-All, , Tell-All has a rating of 2 stars
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Tell-All, , Tell-All
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  • Tell-All
  • Written by author Chuck Palahniuk
  • Published by Blackstone Audio, Inc., May 2010
  • Soaked, nay, marinated in the world of vintage Hollywood, Tell-All is a Sunset Boulevard–inflected homage to Old Hollywood and a hilarious assault on celebrity.Hazie Coogan has for decades tended to the outsized needs of Katherine "Miss Kathie" K
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Soaked, nay, marinated in the world of vintage Hollywood, Tell-All is a Sunset Boulevard–inflected homage to Old Hollywood and a hilarious assault on celebrity.

Hazie Coogan has for decades tended to the outsized needs of Katherine "Miss Kathie" Kenton, a larger-than-life star who has survived multiple marriages, career comebacks, cosmetic surgeries, and emotional dramas. But danger lurks with the arrival of a gentleman caller named Webster Carlton Westward III, who worms his way into Miss Kathie's heart and boudoir. Hazie discovers that this bounder has already written his celebrity tell-all memoir, which foretells Miss Kathie's death in a forthcoming Lillian Hellman–penned musical extravaganza. As the body count mounts, Hazie must execute a plan to save Katherine Kenton for her fans—and for posterity.

Publishers Weekly

Palahniuk's rude sendup of name-dropping and the culture of celebrity worship revolves around the fate of Katherine Kenton, a much-married star of stage, screen, and television, living in obscurity and searching for a comeback vehicle. Her story is told by Mazie Coogan—her Thelma Ritterish, straight-shooting confidant and protector—whose warning system sounds when Miss Kathie meets Webster Carlton Westward III, who quickly seduces his way into her Manhattan townhouse. It's soon revealed he's working on a memoir about his affair with Miss Kathie, the last chapter of which ends with her anticipated death, the details of which keep changing. The affair coincides with Miss Kathie's comeback in a bombastic Broadway extravaganza penned by Lillian Hellman (who receives inexplicably savage treatment). Throughout, Palahniuk drops names from the famous to the head-scratchingly obscure, peppers the narrative with neologisms supposedly coined by famous gossip columnists (ex-husbands are “was-bands”), and annoyingly styles the text so that nearly every name, brand name, and fabulous venue appears in bold. Unfortunately, this gossipy fantasia is a one-joke premise that, even at its modest length, wears out its welcome well before Miss Kathie's final fade-out. (May)


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